By admin / November 26, 2020
In August 2020, the Netflix streaming site is back with an original film called Project Power. The film, which carries the theme of science fiction and superhero, stars a number of well-known Hollywood actors, such as Joseph Gordon-Levitt, Jamie Fox, Rodrigo Santoro, and also Dominique Fishback. Top Movie Site
Project Power tells the story of a mysterious pill that is able to make its users get super strength with a duration of five minutes. Unfortunately, these pills are often used by people who are not responsible for committing crimes. This then prompts a local police officer, teenage drug dealer, and former soldiers to track down the mastermind behind the construction.
This film focuses on the search for the mastermind behind the spread of a super pill. One of the most determined figures to find out about this is a former soldier named Art aka The Major (Jamie Foxx). This was done by Art because the party that produced the super pill had kidnapped his only daughter.
After conducting an investigation, Art began to find a bright spot related to the organization through a teenager named Robin (Dominique Fishback). Robin is told as a teenager who trades the super pill with the aim of buying medicine for his sick mother. In undergoing this action, Robin is accompanied by a policeman named Frank (Joseph Gordon-Levitt) who protects him when there is a problem. Best Movie
When Robin is kidnapped by Art to find information about the source of the pill, Frank immediately finds out where the teenager is and saves him. However, Frank actually has other goals too. The problem is, he actually considers Art to be the mastermind behind the super pill which has resulted in many crimes in his city. The storyline of this film is even more complicated after this point.
The description above is arguably only a summary of the Project Power film plot, which is actually very dense and full of conflicts. However, the storyline is very short, even for a two-hour film. at the end of the film you will definitely feel ’empty’ because there is something missing after watching this film. One of the factors was the concept of a world possessing a super pill that could randomly assign power to the user. This definitely makes the audience expect that they will be presented with various cool super powers. Unfortunately, this doesn’t materialize in this film.
In Project Power, the organization that produces and distributes super pills is seen as a bad guy or a villain in the film. Behind the organization, there are three important figures in it, namely Biggie (Rodrigo Santoro), a bearded man named Wallace (Tait Fletcher), and doctor Gardner (Amy Landecker). Unfortunately, none of them seem to be the main antagonists of the film.
The figure of Wallace, whom Art first sought out, turned out to be only a member of the organization who kidnapped his son. Then, Biggie, who was thought to be the main villain, received a very small portion and only appeared until the middle of the film.
Meanwhile, Gardner might arguably be the mastermind behind the conflict in this film. However, again he is only described as a doctor who does experiments related to the super pill and doesn’t have any powers. This certainly makes the film’s absence of a fierce battle scene involving Gardner and the protagonists.
The absence of the main antagonist in Project Power also makes him feel bland because the peak of the conflict is less “nervous”. Apart from the concept of the film, which may want to portray the evil corporate conflict against the public, the presence of the main antagonist is quite important for films that carry the theme of action and superhero.
Despite a number of shortcomings in the film, Project Power still presents quite an interesting visual, especially when using the super pill. Every time someone took the pill, the scene would be made into a slow motion to show the strength of the pill. Unfortunately, this superpower visual moment is less pronounced in the film due to the lack of exploration of the characters using the pill. Movie Review
Broadly speaking, Project Power will be suitable to watch for those of you who like science fiction films that are peppered with non-stop action.
By admin / November 23, 2020
Peninsula opened convincingly, through some footage that implies a picture of how the scale of the zombie attack has grown, and affects the lives of South Korean people. Considering the greatness of Korean filmmakers regarding inserting humanitarian stories in various genres – which is the strength of Train to Busan – I am also excited to look forward to what this sequel will offer. Top Movie Site
That spirit slowly faded, once realized that Peninsula was following the formula “the bigger the better” in the making of the sequels. Not a problem as long as it is implemented properly. But not only stripping away the elements that made Train to Busan loved by the public (even though I think it’s overrated), Peninsula even failed to execute the formula, to at least give birth to an entertaining follow-up story.
In the prologue that feels like a tribute to the first film (it’s just that trains are replaced by ships), we are introduced to Jung-seok (Gang Dong-won), a military member who brought his older sister, brother-in-law, and nephew, to flee to Japan using ship. But the plague seems to have spread on the ship. Almost all of the passengers, including Jung-seok’s brother and nephew, died.
Four years later, Jung-seok, who lives in Hong Kong with his brother-in-law, Chul-min (Kim Do-yoon), is still overpowered by feelings of guilt. Until the two of them accept a simple mission, to bring a truck filled with money as much as $ 20 million, which suddenly disappeared on the Korean peninsula. Of course it’s not that easy. In addition to zombies, they must face the militia forces that control the area. Best Movie
Dong-won is convincing as a champion of the fight. We believe he can eradicate zombies, whether using firearms or bare hands. But the character he plays is empty. Jung-seok lost everything, before the audience got to know him more closely. Once we spend more time with him, he becomes a boring gloomy figure. Fortunately, later a more interesting line of characters appeared.
In the midst of a zombie siege, Jung-seok is saved by a pair of brothers, Jooni (Lee Re) and Yu-jin (Lee Ye-won). Jooni has the driving skills that will amaze Dominic Toretto, while Yu-jin, even though he is still a kid, is not afraid to face zombies, even though only armed with a toy car. Jung-seok is taken to a hideout, where their delusional grandfather (or is he?), Kim (Kwon Hae-hyo), and his mother, Min-jung (Lee Jung-hyun) also live. Jung-seok gets to know Min-jung, and a sense of guilt for her past actions grows. But I don’t care.
The more I get to know this family, the more I want to spend some time watching their unique dynamics and how the four of them survive in the midst of a zombie apocalypse. It would be better if they were all the main characters. But Peninsula does not allow that, and instead continues to add another side character, taking us to visit the headquarters of the Unit 631 militia, to meet a group of unattractive figures who represent the clichédness of wild survivors in post-apocalyptic films.
At the base of Unit 631 there is a “gladiator show”, where the prisoners are forced to fight zombies, in a sequence that is executed too tame to reinforce the impression of the law of the jungle. At least the sequence is still better and clearer than the majority of other actions that take place in the dark of the night, featuring things going fast (cars, trucks, zombies), in perfunctory CGI packaging. Plus the chaotic directing of Yeon Sang-ho (Train to Busan, Psychokinesis), as well as frantic editing as a way to manipulate several stunts, let alone feeling tension, digesting what appears on the screen is difficult.
Prior to this, I watched The Odd Family: Zombie on Sale which is entertaining and creative. This film needs a similar injection of creativity. The creativity that makes mainstream South Korean cinema so passionate, powerful and colorful. Closing the Peninsula is a conclusion to a story of penance and sacrifice that is lacking in emotion, except for extreme amusement, hearing the words of one of the members of the UN peacekeeping force, who delivered sentences that are basically ridiculous, so flat. One of the funniest endings this year. Movie Review
By admin / November 19, 2020
Featuring players of Indian descent; created by people of Indian descent, from director Elan Dassani and Rajeev Dassani, scriptwriter Madhuri Shekar adapting audiobooks of the same title, to a range of producers including executive producer Priyanka Chopra Jonas; and contains elements of reincarnation typical of India. Plus the empowerment issue, from the outside, Evil Eye is an important film that seems impossible to fail. But there you have it. This is the worst title in the Welcome to the Blumhouse series.
Pallavi (Sunita Mani), similar to teenagers living in America, does not mind the fact that at the age of 29, she has yet to find a future husband. Not so with the mother, Usha (Sarita Choudhury), who has repeatedly planned blind dates for her daughter. Usha was also very superstitious. One of them is related to the evil eye, which is said to prevent a person from finding a life partner. Besides praying regularly, Usha also gave Pallavi a bracelet, which was believed to keep the evil eye away. Top Movie Site
Until Pallavi meets Sandeep (Omar Maskati), the handsome, kind and wealthy man, who quickly wins her heart. Instead of being happy, Usha was worried, even opposed to Sandeep’s presence. This concern is triggered by the belief that Sandeep is the reincarnation of a person who is responsible for Usha’s dark secret from the past.
Like other characters, at first the audience would think Usha was a control freak who acted silly. Then as the gradual disclosure of Usha’s secret, we understand the reason, even sympathize. The problem is, for almost the first hour, we witnessed more repetitions, in the form of Usha’s insistence on seeking justification for her worries, whether it was her husband, Krishnan (Bernard White), friends, or a fortune teller. Repetitive.
It’s annoying too, because almost nothing important happens. It’s just an attraction of suspicion that never leads to anything conclusive or a clue for the audience to think about. Although the Evil Eye is not short on ingredients. As mentioned at the beginning of the article, this film raises a number of important issues, especially the big impact of violent relationships with misogynist men who are obsessed with controlling women. This must be an emotional story about the awakening of women over their oppressors, if the various Evil Eye ingredients had been properly processed. Movie Review
These elements contradict each other. The message of women’s unity clashes with the issue of children’s freedom to choose their way of life. The supernatural element hinders the presentation of the trauma healing process. Like tangled threads that have expired before being tied. Then when it comes to the final act, the antagonist who is always calculating suddenly loses his cool and acts stupid, as if forced because the film’s time runs out to close the story.
A bit of a save is Sarita Choudhury’s performance. His eyes were blank, but also radiant with horror, as the reassuring embodiment of the wounds inflicted by male evil that had never (completely) healed. In the hands of more capable writers, it has the potential to produce stories with high emotional impact. Best Movie
By admin / November 16, 2020
The synopsis of the Korean film Pawn is very interesting to discuss. This is because, the presence of this film shows the South Korean film industry is starting to rise during this pandemic. The film Pawn is a direction from director Kang Dae Kyu.
Kang Dae Kyu previously worked with Ha Ji Won in “Duelist” and “Haeundae”. Kang Dae Kyu gives input to Ha Ji Won always showing great acting. Even Ha Ji Won can attract viewers’ hearts. Top Movie Site
The film Pawn premiered in September. The main character is Ha Ji Won who returns to the front of the screen after 4 years of hibernation. This film collaborated with CJ Entertainment in producing it.
Pawn’s success is a sign that Korean dramas are increasingly showing his existence. This is proven by Pawn’s success in reaching 1 million viewers per Friday Korean Film Council time. This film is the first to reach such an audience.
This film started in 1993. There is a man named Doo-seok. Deo-seok’s figure is a bit creepy. His gaze was like someone who would be intimidating.
But that’s just his posture. Doo-seok’s heart is very kind and gentle. In fact, rarely get angry with people. Whatever gets in the way is sure to be done without anger.
Doo-seok works as a debt collector. That job made him look creepy. However, this isn’t a big deal for Doo-seok.
In the synopsis of the Korean film Pawn, Doo-seok appears to have never heed the words of those around him. This is his life no one has the right to mess it up. He has a client named Myung-ja.
Myung-ja’s figure is very pathetic. He is one of the victims of illegal immigrants. Myung-ja gets deportation from South Korea. He only lives with his little girl named Seung-yi.
One day Doo-seok visits Myung-ja. He visited with the aim of asking for a debt bill. When Doo-seok collects, he doesn’t get a penny. Best Movie
It was precisely the shock he found. Because Myung-ja gave his son Seung-yi as collateral. Suddenly Doo-seok feels shocked and surprised. He can’t stop thinking about the treatment Myung-ja has with his little daughter.
However, in the synopsis of the Korean film Pawn, Doo-seok appears with a warm heart. With a soft tone and low voice, Doo-seok asks Myung-ja what really happened. Myung-ja explains everything coherently from the beginning to her current state.
A pity Doo-seok finally agrees to guarantee Myung-ja’s will. He takes Seung-yi home, hoping that he can take good care of Seung-yi.
The closeness between Seung-yi and Doo-seok is increasingly visible. Not only that, Seung-yi is also close to Doo-seok’s best friend named Jong-bae.
In the synopsis of the Korean film Pawn, Doo-seok’s fatherly nature appears. In fact, he has subconsciously replaced Seung-yi’s father. In his daily life, he tries to look after and guide Seung-yi like a real child.
Seung-yi is a little girl who hasn’t felt the warmth of a father’s embrace for a long time. Living with Doo-seok is the best way for him. Doo-seok is not his real father, but always shows his affection for Seung-yi.
Time after time passed. The days of fun passed. Seung-yi feels the presence of a father in his mind. The feeling of never ending comfort makes him think that Doo-seok is his real father.
This isn’t a big deal for Doo-seok. Every now and then Doo-seok tries to cheer up Seung-yi. Tells about interesting things about life. Doo-seok gives Seung-yi a lot of valuable knowledge.
Appears in the synopsis of the Korean film Pawn, the plot shows that Doo-seok is Seung-yi’s real family. While taking care of Seung-yi, Doo-seok always thought that this girl was his baby. His feelings are always haunted by turmoil in his brain trying to remember the past. Movie Review
This was revealed when Seung-yi returned to her mother Myung-ja. In fact, he tells Doo-seok the truth. This is the reason why Myung-ja has the heart to make Seung-yi a guarantee. He tries to get Seung-yi closer to Doo-seok.
How is the continuation and complete story of the Korean film Pawn synopsis? Watch it continue by watching the film Pawn.
By admin / November 12, 2020
Imagine Total Recall meets Get Out, but with less horror elements, no subtext about race, and more family drama. That’s about the Black Box by debutant director Emmanuel Osei-Kuffour Jr., who opened the anthology parade of eight films produced by Blumhouse Television, which will be released exclusively on Prime Video, Welcome to the Blumhouse. It is also possible that Osei-Kuffour, who wrote the script with Stephen Herman, took some inspiration from Christopher Nolan’s high-concept science fiction titles, particularly Inception. Just look at the name of the protagonist: Nolan Wright (Mamoudou Athie).
The first time we met Nolan, he was having a hard time managing his life, due to amnesia he suffered after a deadly accident that also killed his wife. He has to lose his job as a photographer because his abilities are considered to be declining, and he also relies heavily on his little daughter, Ava (Amanda Christine), who always prepares breakfast and dinner. In addition to memory loss, Nolan also often shows unusual attitudes. One of them is an explosive emotion, even though he has been known to be kind. Top Movie Site
Nolan almost gives up, until his younger brother who is a doctor, Gary (Tosin Morohunfola), introduces him to the number one brain wave expert, Dr. Lilian Brooks (Phylicia Rashad). With Dr. Lilian, Nolan underwent an experimental treatment method, using a device that is able to bring him into the subconscious world, including visiting his memories.
The farther Nolan goes to visit the “past”, the more we understand why he suffers from amnesia… ..but in an unexpected way. Black Box saves two twists. First is the “big twist” that lays out the background to Nolan’s condition. Osei-Kuffour is reluctant to underestimate the ability of the audience to draw their own conclusions, so that you will never find a vivid, protracted exposition. Unfortunately, at the same time the script is not clever enough and pays less attention to the details of the foundations of its science-fiction elements. There are many irregularities around the “rules” of the film regarding the subconscious and brain waves.
Meanwhile, the twist of the two, although “smaller”, left an impression. Most mainstream Hollywood films will say, “those who are gone will always be missed”. But the reality is not. Sometimes relatives and loved ones feel happier after being abandoned. Best Movie
Among these surprises, you might be surprised to find that the Black Box only contains a handful of terror, to be exact, each Nolan enters the subconscious, then is attacked by a faceless figure, whose appearance reflects the creatures from many horror films, complete with sound effects. “Broken” and imagined as his way of moving. The rest, this film tends to have minimal tension. Moreover, Osei-Kuffour is not that mature to be able to maximize the smallest amount of material. Movie Review
Luckily the actors are strong. Mamoudou Athie, who previously stole the show in Uncorked as a wine enthusiast, was able to immerse the audience in his confusion. The biggest charm comes from Amanda Christine, as Ava, the boy who is more mature than his age. But that is not a character hole, because there is a reason why Ava was forced to prematurely mature, while the actress decisively embraces the complex role, simultaneously injecting emotional weight that easily provokes sympathy.
By admin / November 9, 2020
A remake of a German film entitled We Monsters (2015), The Lie actually has the potential to become a media model, about how to shift the bitter family drama typical of European filmmakers, towards thriller / horror that is more friendly to a wider audience. Unfortunately, Veena Sud, who acts as director and scriptwriter, has stripped too much of her exploration of the impact of divorce on children, which is the foundation of all her character problems. Top Movie Site
Kayla (Joey King) the name of our protagonist. A girl who doesn’t receive affection after her parents divorce. He lives with his mother, Rebecca (Mireille Enos), who works as a corporate lawyer, after deciding to leave the police. Meanwhile, his father, Jay (Peter Sarsgaard), is still determined to pursue success through music. That day, it was Jay’s turn to take Kayla to ballet school. On the way, the two meet Brittany (Devery Jacobs), Kayla’s best friend who is also going to the school. Kayla also invited Brittany to join their car.
Because he wants to relieve himself, Brittany asks Jay to stop the car in the middle of nowhere. Together with Kayla, Brittany entered the forest, but soon, Jay heard her daughter’s scream. Jay rushes to search, and finds Kayla crying, sitting on the edge of the bridge, as if she were about to jump into the fast-flowing river below. Then Kayla admitted that she had pushed Brittany. Apart from the swift currents, the relatively high distance from the bridge, plus the river’s condition in winter, made Jay believe Brittany was beyond help.
Jay decided to hide Kayla’s actions. Rebecca initially refused, but once she thought about the series of consequences her daughter could face, she agreed. A lie, which later ends up creating other lies. Yes, as the title suggests, The Lie talks about the impact of lies, and Veena Sud’s script is quite clever in utilizing this theme as thriller material. Best Movie
We often make lies as a way out of problems. Here, we are invited to one lie leading to another lie, which instead of solving it, actually adds to the problem. If the first lie hadn’t been spoken, nothing would have happened. The question is, where is the “first lie”?
The cold snowy background gives a dark atmosphere accordingly, as a stage for Veena Sud to show off her directorial capacity, which is able to slowly build tension. The intensity of the creeping, while the occasional, every time it is needed, can suddenly grip. Sud is like having fun playing with the audience, making us nervous to see the protagonists making mistakes.
But as mentioned above, The Lie has almost completely abandoned his exploration of the impact of divorce on children, especially adolescents. What appears on the screen is only simplification, where the impact is only used as justification for Kayla’s stupid decisions. There was no further investigation or discussion.
I don’t think The Lie chose the right ending either. There are two moments that can be used to end the story better. The first moment at the dinner table is the riskiest option, given that mainstream audiences won’t like ambiguity. But in closing, the moment perfectly captures the irony of family togetherness, while simultaneously flicking the meaning of the concept of “families protect each other”.
Then comes a twist, which for the veteran genre film audience, of course, won’t be hard to guess. The twist that tries hard to be covered up, to the point where the film seems to be cheating the audience, by taking advantage of the mental instability of the character, as a teenager victim of divorce. The Lie can also be ended shortly after the twist, which, although problematic, still contains strong irony as a resolution. But The Lie felt that the audience needed clarity, so the story ended only after a long exposition, and a closing shot aimed at blowing hope, rather than amplifying the bitterness caused by the domino effect of lies. Movie Review
By admin / November 5, 2020
Sofia Coppola (Somewhere, The Bling Ring, The Beguiled) gave birth to her most “friendly” work through On the Rocks, a comedy-drama that, although it often touches on themes such as family, marriage, to gender roles, broadly talks about happiness. . That the form of happiness is different for each individual. That the source of one’s happiness can change over the course of life. That happiness is not an absolute black-and-white thing, in which to feel it, one need not (always) imitate the paths taken by others. Top Movie Site
Needless to say, we know Laura (Rashida Jones) is unhappy. His days were filled with the routine of taking his two daughters to school and courses, which became increasingly repetitive and tiring. Never mind finishing her latest book, Laura didn’t have time to take care of herself. The white, punched T-shirt she wore in one of the scenes, confirmed that. Details that prove that apart from the aesthetic that always appears in his work, his background in fashion helps Coppola to lay the foundation of his character through the clothes they wear.
Meanwhile, Laura’s husband, Dean (Marlon Wayans), is a successful young businessman. Because of his success, Dean was rarely at home, often traveling out of town and abroad, for the sake of the never ending meetings. Of course Laura was happy, but on the other hand, she began to feel abandoned. Once, at a party celebrating Dean’s company success, Laura stood alone, abandoned by her husband in a crowd of strangers. That’s where Laura meets Fiona (Jessica Henwick), a beautiful young girl who is Dean’s co-worker, as well as a figure who Laura suspects to be an affair with her husband.
Is it true that Dean was having an affair? Is the bag containing Fiona’s toiletries that Laura accidentally found in Dean’s suitcase sufficient evidence? Enter Felix (Bill Murray), Laura’s father, who even though he is old, continues his adventure as a love player. According to Felix, all men are the same: putting sex first, making it difficult to commit. Felix also offers his help to stalk Dean, to expose his affair. Best Movie
From there Coppola builds his most playful film, through the investigation of the two main characters, which involves driving a red Alfa Romeo in the middle of a busy New York street, to an impromptu trip to Mexico. Thanks to his penchant for traveling all over the world, plus the wealth of selling art goods, it’s as if everyone knows Felix, which makes it easy for him to gather information.
Murray is perfectly central to the Coppola script, which is composed of intriguing chatter full of sexist theory from the mouth of Felix, who repeatedly states that from time immemorial, the role of women is servants of male passions. But Murray’s charisma, which easily hypnotizes women, makes viewers less likely to hate him. Meanwhile, Rashida Jones is the polar opposite, becoming a figure full of insurances, like the women around Felix, lulled, then believe the words “reassuring” his father.
Maybe like me, you expected On the Rocks to immediately confront Felix’s sexism. In fact, not. Sofia Coppola is smarter than that. He let Felix joke around, while Laura tossed between worries. It was only in the final half, Coppola’s rebuttal. Not with anger or antagonization. All of that is unnecessary, because Coppola argued while bringing concrete evidence, which shows how men like Felix can only see things from one point of view. Movie Review
But no hatred. On the Rocks is a hopeful perspective on love, which does not close our eyes to the reality related to male sexism. The orientation is happiness. First we met Felix, he asked his daughter to whistle. Laura couldn’t. Precisely since having children. Whistling is synonymous with happiness, or when someone is enjoying something (read: life). Laura has had a hard time enjoying life since starting a family. In the end, he didn’t need to throw everything away to get that happiness again. Because as Felix said in one of the sweetest (even though simple) moments of the film, everyone has their own adventure.
By admin / November 2, 2020
Rebecca (2020) based on the novel by Daphne du Maurier of the same name released in 1938. This synopsis of the film, starring Lily James and Armie Hammer, tells the story of a husband and wife who have just married. After living together, the woman leads an uncomfortable life because her husband is still trying to escape from the shadow of his first wife who died.
Rebecca opened in a Monte Carlo setting when the young female character played by Lily James was still working as an assistant to a wealthy woman. In that city, he also meets Maxim de Winter (Armie Hammer), a wealthy widower who owns a large land called Manderley. Top Movie Site
The two of them are getting closer every day and finally decided to continue their relationship to the level of marriage. The woman who is now known as Mrs. de Winter also lives with her husband in a large residence in the Manderley area. However, conflicts began to emerge when he moved into the residence and made the life of the woman never calm.
The reason is, Mrs. de Winter is “haunted” by the memory of Rebecca as Maxim’s ex-wife who has not yet disappeared from her husband’s memory. The condition was exacerbated by the presence of Mrs. Danvers (Kristen Scott Thomas), the manager of the Manderley residence who often evoked memories from Rebecca.
The storyline will also be very interesting if you have never read the original novel or the film version of Rebecca (1940), directed by Alfred Hitchcock. Moreover, behind the plot we are presented with a number of plot twists that are quite surprising.
However, for those of you who have seen the Rebecca version in the previous adaptation, this Netflix original film will be less memorable. The thing is, the storyline is exactly the same, so the plot twist in it is not surprising because it was guessed. Moreover, Rebecca who was directed by Ben Wheatley was “haunted” by the version of Alfred Hitchcock who won “Best Picture” at the Oscars.
So, as a whole, the storyline in this remake film will be enjoyed by those who have never watched the Alfred Hitchcock version at all. However, if you just want to compare the two versions, there’s nothing wrong with watching this film because there are a number of other factors that make you feel at home watching.
One of the factors that make you feel at home when watching Rebecca’s film is the presence of actors with captivating visuals and their acting skills that steal the attention. Armie Hammer and Lily James successfully present husband-wife chemistry in this one film. The evolution of James’ character from an innocent girl to a very determined woman throughout the film also deserves appreciation.
In addition, there is one actor whose acting really stole the show in this film, namely Kristen Scott Thomas who plays Mrs. Danvers. Thanks to Thomas’s brilliant acting, you may also be resentful of Mrs Danvers’ bad attitude towards Mrs de Winter. Thomas is really able to play the emotions of the audience through his acting skills in this film.
By admin / October 29, 2020
The Trial of the Chicago 7, which marks Aaron Sorkin’s second time as director after Molly’s Game (2017), addresses the above issues, giving birth to parallels between the events of 1968 when riots broke out at the Democratic National Convention and the present. The best period films are not limited to a journey through the past, they also make the audience compare with current conditions, thus creating the question, “How far have we gone?” Top Movie Site
The opening sequence is used to introduce the protagonists one by one, where in just a few short sentences, Sorkin manages to describe the ideology carried by each figure. The editing made it seem as if they were finishing each other’s sentences, as if implying that later these eight people would bump into each other. To be precise, they were forced to intersect in a long series of trials that lasted for about a year.
Eight people were arrested on charges of conspiracy after riots broke out amid protests against the United States’ decision to increase the number of soldiers sent to Vietnam. They are: Abbie Hoffman (Sacha Baron Cohen) and Jerry Rubin (Jeremy Strong) as frontman of Yippies (Youth International Party); David Dellinger (John Carroll Lynch) for leading the pacifist movement against violence; Tom Hayden (Eddie Redmayne) and Rennie Davis (Alex Sharp) as activators of the National Mobilization Committee to End the War in Vietnam aka the Mobe; Bobby Seale (Yahya Abdul-Mateen II) the leader of the Black Panther Party; and two activists, John Froines (Daniel Flaherty) and Lee Weiner (Noah Robbins).
For about 130 minutes, we were invited to attend what Abbie called a “political trial”. Their lawyer, William Kunstler (Mark Rylance) initially disagreed with the title. But over time, it became difficult for both us and Kunstler to disagree with Abbie, after the authorities did everything they could to criminalize the Chicago Eight (only became the Chicago Seven after the trial for Bobby Seale was split). Best Movie
Richard Schultz (Joseph Gordon-Levitt) as the prosecutor is already an equal opponent. But as if that wasn’t enough, Judge Julius Hoffman (Frank Langella) continues to commit ridiculous injustices. Not to mention the various other cheats, including when sending a threatening letter to the family of one of the judges using the name Black Panther Party as an attempt to slander.
Sorkin actually uses these injustices as a medium to unite eight people with different ideologies (differences that often lead to disputes, especially between Abbie and Tom). The more the opposing side releases its weapon, the more aware the protagonists, that despite their ideological differences, they have the same enemy. Without needing to give a lecture, Sorkin also succeeded in making the audience aware that the real enemy was the power holders who rejected the rights of minorities, as well as ranks of thugs in uniform who were brutalizing the people they should serve and protect.
The Trial of the Chicago 7 also marks Sorkin’s efforts to produce works that are friendlier to audiences outside of his fans. The sentences are still rich, sharp, tickling occasionally, and of course memorable. “Martin’s dead. Bobby’s dead. Jesus is dead. They tried it peacefully. We’re going to try something else, ”said Bobby. Sounds odd, but provokes reflection. But in contrast to Sorkin’s habits so far, the delivery of these sentences was not as fast as an automatic rifle shell. The lay audience will have no trouble keeping up. Sorkin also offered crowd pleasing conclusions, which made me imagine what this film would be like, if the initial plan in 2007 to give the director position to Steven Spielberg was carried out.
Regarding directing, Sorkin is more mature. The best sequence is the first riot, when demonstrators march towards the police station to free Tom. The tempo increases gradually, the dynamic editing alternates showing two contradictory statements from each side, a combination of recreated scenes and original footage, plus adrenaline-pumping music by Daniel Pemberton (Steve Jobs, Spider-Man: Into the Spdier-Verse) Sorkin has perfected his ability to build momentum so powerful to drive the emotions of the audience.
No less shining ranks of players. As usual, Redmayne is solid as a fragile man who tries to be strong. A man who spoke words of conviction with complete disbelief. A man who seemed like he could collapse at any time but refused to stop halfway. Langella is an easy-to-hate antagonist, while Michael Keaton has a glorified cameo that leaves an impression.
But Sacha Baron Cohen is the best. Abbie is an activist, hippie, and comic. The combination that makes him at first glance just an unreliable silly man, but the more sharp and witty sarcasm escapes his mouth, the more admirable his figure, which helps explain how, under pressure from the authorities, democracy refused to retreat in 1968. Movie Review
By admin / October 26, 2020
In one of the most touching scenes in Clouds, after (accidentally) confessing his love for his best friend, Zach Sobiech (Fin Argus), who has terminal cancer, Sammy (Sabrina Carpenter) admits that he often wanders about the future, where they are will go to college, live their own lives, both have boyfriends, but maybe, one day, will meet again and realize that they both love each other. I was made to imagine scenarios about that future imagination. Top Movie Site
The same thing, but in a different context, also happened to Zach’s relationship with his lover, Amy (Madison Iseman). What was life like for Amy after Zach died? Surely he will have another lover, maybe even get married. How would Amy feel, if in the midst of a relationship with the new partner, she thought of Zach? Was the real Amy thinking the same thing as me when accompanying Zach through his last days?
Clouds is a film that makes me care so much about the characters, to imagine their lives outside of the film. The fact that this is based on a true story makes the above images add to the emotional impact. Based on the memoir Fly a Little Higher: How God Answered a Mom’s Small Prayer in a Big Way by Zach’s mother, Laura Sobiech (played by Neve Campbell in this film), the film chronicles Zach’s struggle against terminal cancer, resulting in a phenomenal song titled Clouds, which is able to perch at position 26 on the Billboard Hot 11 chart, even the video clip was viral and watched 15 million times on Youtube.
Zach is relentless, refusing to let cancer keep him from living a happy life. He likes to make dark jokes about his condition. Every morning he threw up in the bathroom, then dressed as neatly as possible, practicing a smile in the mirror, before appearing to his family, as if nothing had happened. Best Movie
Since childhood, Zach is friendly with Sammy, and as written in the opening paragraph, Sammy secretly likes Zach. Love is unrequited, because Zach fell in love with Amy, who later became his lover. Luckily there is no conflict love triangle. Even Sammy played a role in uniting Zach and Amy. The two teenage girls eventually became close friends. Thanks to that, Clouds becomes even more meaningful, telling a story in which death is not just a matter of separation, it can also unite.
Clouds is positive, but it doesn’t overlook the vulnerability of the protagonist. After all, knowing that one’s own death is approaching will certainly fuel fear and worry. “What’s the point of writing a college essay if I’m never going to college ?!”, says Zach. The narrative used as the opening and closing of the film helps us understand the turmoil of their hearts: “Most teenagers out there feel like they’re invincible. Not the Superman kind of invincible. The kind of invincible that tricks you into thinking tomorrow might be a better day to start chasing your dreams ”. At an age where he feels at the top of the world, Zach must face the end.
It’s hard to hold back the emotions for 121 minutes of its duration, when Clouds takes turns presenting sweet moments (Zach asks Amy to be his partner for the prom at a Jason Mraz concert, the process of writing lyrics when Zach and Sammy take turns writing sentences in a notebook), touching (concert at Metro when the entire audience sang Clouds together), and heartbreaking (the doctor told the Zach family that he was only a few days old).
The duration is indeed a bit too long, even though the plot lasts too long in one phase, before discovering new dynamics when Zach and Sammy (as duo A Firm Handshake) get a recording contract. The formula is very legible, namely a collection of moments of angling anguish, which luckily is executed elegantly with the right emotional dose. Similar to Zach’s lyrics, the script written by Kara Holden contains sentences that can convey beauty through simplicity, without needing to sound poetic. Meanwhile, Justin Baldoni (Five Feet Apart) directing never exaggerates the dramatization.
The ranks of players are no less great. Both the trio of young performers (Fin Argus, Sabrina Carpenter, Madison Iseman) and seniors (Neve Campbell and Tom Everett Scott) conveyed their feelings convincingly, making it easier for the audience to laugh, fall in love, and cry with them. Movie Review
By admin / October 22, 2020
How many vampire-themed films have you watched? Even though using the same theme, each director has his own way of presenting a story about a vampire and his life. Buffy the Vampire Slayer, Van Helsing, Blade, Underworld, I Am Legend, and Twilight Saga are some examples of vampire-themed films that are quite successful in the market. Carrying a “very Hollywood” concept, these films have always managed to perch on the box office board. Top Movie Site
In 2010, in addition to the famous Twilight Saga, there was another vampire film that unfortunately did not get much attention because of its packaging that was different from Hollywood films in general. The film by Matt Reeves is titled Let Me In, which is an adaptation of the Swedish film Let the Right One In (2008). The Swedish version of the film is actually an adaptation of a novel of the same name by John Ajvide Lindqvist.
This film is about the friendship of two children, Owen (Kodi Smith-McPhee) and Abby (Chloe Grace Moretz). Their friendship is very unique because Abby is a vampire. Owen, who had social difficulties at school because he was always teased by his older friends, seemed to have a personal “guard” who would always watch over him, wherever Owen was. Best Movie
This film, which is set in the 1980s, is packaged in a very different style. Even though it had been adapted before, Matt Reeves chose to reconstruct the film based on the novel version. This film does not take the point of view of how a vampire survives, but rather the essence of the friendship that exists between Abby and Owen. In this film, I see the other side of a vampire who is gloomy, sad, and “forced” to find victims just to survive. Abby’s only happiness and hope is Owen, the only person in the world who knows her situation and has vowed to be with Abby forever.
For some people who are used to watching vampire movies that are “very Hollywood”, this film may feel boring. The plot is very slow and tends to be filled with inner conflicts and romance. However, the essence of friendship and affection is very thick here, making us feel a little emotion and empathy for the characters in them.
Matt Reeves probably never chased box office milestones while working on this film. This can be seen from the film’s revenue which is only around US $ 21 million, compared to the initial budget of US $ 20 million. However, Reeves can be proud that this film has received a fairly good appreciation among film figures, making him nominated in 11 categories in eight award events. Many people give thumbs up for the excellent acting of Chloe and Kodi, which is considered one of the best acts. Movie Review
By admin / October 19, 2020
The story in the best-selling American novel entitled The Goldfinch by Donna Tart was appointed to the big screen with the same title. The film The Goldfinch was directed by John Crowley and screenwriter Peter Straughan. The main character, Theodore Decker, is played by talented young actors Ansel Elgort and Oakes Fegley as teenage Theodore.
Apart from Ansel and Oakes, there were also several supporting players such as Nicole Kidman, Sarah Paulson and Luke Wilson. The Goldfinch tells the sad story of a 13-year-old New York teenager named Theodore Decker who lost his mother. The sad story of Theodore, or as he is called Theo (Oakes Fegley), began when he and his mother were visiting the Metropolitan Museum of Art, New York. Top Movie Site
Theo and his mother spent time enjoying some of the paintings displayed there. Mrs. Theo (Hailey Wist) points to one of the bird paintings by the name The Goldfinch and how much she admires this work of art. Not long after, a bomb exploded at the museum, making Theo lose his mother who was one of his victims. Theo survived, but losing his mother to Theo was losing hope for the future.
Meanwhile Theo’s father is a drunk who doesn’t care about his son. Theo also refused to live in an orphanage and chose to live temporarily with his friend’s family, the Barbour family.Best Movie
Mrs. Barbour (Nicole Kidman) is very attentive and intends to adopt Theo and is the first to introduce Theo to antiques. The tranquility of Theo’s life with the Barbour family is disturbed when his father forces Theo to move to Las Vegas. Theo’s move to Las Vegas introduced him to the dark side of the teen world.
Theo grows up (Ansel Elgort), but never gets over the loss of his mother. On the other hand, there is one big secret he is hiding, namely the painting The Goldfinch which he stole and kept in his room for many years until he was growing up. For Theo, this painting is his only lifelong after he lost his beloved mother.
What is the continuation of Theo’s life story with the precious painting The Goldfinch? Watch the full story in the film The Goldfinch Movie Review
By admin / October 15, 2020
You must be familiar with the Oxford Dictionary. One of the great lexicographies in the world, it is considered the most accurate and comprehensive dictionary since 1884.
Yup! The Professor and The Madman (2019) will explore the history of the preparation of the Oxford Dictionary which is wrapped in stories of love, sacrifice and anger.
William Chester Minor was a wartime medic. He was traumatized after killing a man. Since then, his life has always been restless and must be under surveillance by the security forces. Even so, Doctor Minor will feel calm when he reads many books. This is what made him interested in becoming a contributor to the preparation of the Oxford Dictionary.
Top Movie Site
Not only bringing together two top Academy Award-winning actors, Mel Gibson and Sean Penn, on the same stage, the film The Professor and The Madman also stars Natalie Dormer, Jennifer Ehle, Eddie Marsan, and many more. Movie Review
By admin / October 12, 2020
Deerskin came from the head of Quentin Dupieux, the director who made Rubber (2010). While more normal than the satirical horror of the killer tires, this latest work is still an impossible film to predict where it will go, at least on the majority of occasions. Just look at the opening scene, where some teenagers put their jackets into the trunk of a car, telling the camera that they won’t be wearing jackets again forever. A prologue for criticism of humanity’s destruction of nature? Apparently not. Top Movie Site
A moment later, we become acquainted with the protagonist. Georges is his name, played by Jean Dujardin, who is best known for winning the Oscar for Best Actor, through his role in The Artist (2011). Georges spent over 7,500 euros redeeming the reindeer leather jacket of his dreams. “Killer style”. That’s how Georges calls his style. Designations that later present other meanings.
Georges was willing to run out of money, so he had to use his wedding ring as collateral when he was in arrears for the hotel room rental fee, even eating from scraps in the trash, for the sake of the jacket. His new wife left him, as well as blocking their credit cards, which aggravated Georges’ situation. But he didn’t care. Most importantly, the dream jacket has been obtained. Georges continued to admire his appearance, filmed himself posing in the mirror, then began to engage in conversation with the jacket, as if it was alive.
Dupieux, who also wrote the script, developed a strange, surreal atmosphere. Many people here feel “not alive”, creating the feel of a thick deadpan. Deerskin is reminiscent of Roy Andersson’s works, except that the pacing is faster, lighter, more dynamic, and has more blood. Meanwhile, his humor becomes more intriguing as Georges’ behavior and words become more absurd. Some are black comedy, some are satire, some are pure silliness, but the response expected from the audience is always the same: WTF ?! Best Movie
Every night, Georges stops by the bar where Denise (Adèle Haenel) works as a bartender. When asked about his profession, Georges lied and admitted he was a filmmaker. The lie got deeper, because Denise, who turned out to be an editor, started asking a lot of questions. Long story short, the lie forced Georges to continue recording, continuing his “film production”, with a story inspired by his “chat” with the jacket. Georges wants to be the only man in the world to wear a jacket, while the jacket wants to be the only jacket in the world. Georges is someone with no knowledge of film, who makes films to fulfill egos and ridiculous ambitions. Sounds familiar.
Dujardin gave birth to a loser character who the audience was happy to laugh at, especially every time he boasted of his “killer style”. But over time, Georges’ silliness was accompanied by horror. He is not sympathetic, but his actions are fun to follow, even tend to be addictive. I don’t mind if the film lasts longer.
The question is, what exactly is Deerskin trying to say? A portrait of a man with a mental illness? Unhealthy obsession? A flirtation with the film industry? Or the story of a man who hides his loneliness and vulnerability behind a shell of masculinity? Not all of the above. Even after Deerskin hit its closing moments, I’m sure Quentin Dupieux, able to wrap up an entertaining 77 minutes full of absurdities, surprises, and turns, just wanted to have fun playing with the audience’s expectations. Both expectations regarding the direction of the flow, and the substance in it. If there was anything Deerskin wanted to flirt with, it would be the audience themselves, who were trying (too) hard to read the contents of the story. Like George’s nonsense about his profession as a filmmaker that doesn’t need to be taken seriously, so does this film. Movie Review
By admin / October 8, 2020
When the majority of films on the theme of empowerment from India cover their sensitivity issues with light and warm family stories, Dolly Kitty Aur Woh Chamakte Sitare takes a slightly different path. Coming from the hands of director and scriptwriter Alankrita Shrivastava, who previously gave birth to Lipstick Under My Burkha (2016), feminism is conveyed more emphatically, by bringing gender issues through a sexual perspective that challenges the audience’s thinking. Unfortunately, this time Alankrita has the ambition to summarize too many problems that actually interfere with the course of the storytelling.
Living in a planned city called Noida, the financial condition of Radha “Dolly” Yadav (Konkona Sen Sharma) and her husband, Amit (Aamir Bashir), are actually stable, but they have difficulty paying off the mortgage for a luxury apartment, which has not even been built. Meanwhile, Dolly’s younger cousin, Kajal (Bhumi Pednekar), wants to live with them. Coming from Bihar, he has the ambition to pursue his dreams in a big city. Like many overseas people from the village, it did not take Kajal long to realize that life in the city is tougher than he thought. Top Movie Site
After only working as a factory worker for a while, he immediately left. Not only that, Amit’s behavior with “naughty hands” who often steals opportunities, makes Kajal uncomfortable and makes him want to live in another place. Of course it’s not an easy matter, considering Kajal doesn’t have enough money to have his own place. This is an example of how male depravity ruins a woman’s life. Kajal shouldn’t be confused about finding a place to live. She shouldn’t feel insecure under the roof of her own family.
Finally, Kajal found a new job that provided many facilities, including a place to live. Red Rose Romance is the name of the company. A phone sex service provider. Using the name “Kitty”, Kajal uses his voice to serve the lusts of perverted men, one of whom even calls and masturbates while his wife is lying in a coma. But through that job, Kajal falls in love for the first time, with a client named Pradeep (Vikrant Massey), who lulls him with his romantic words.
Apart from the installment business, Dolly still had other problems. She suffers from HSDD (Hypoactive Sexual Desire Disorder), in which Dolly loses her desire to have sex with Amit. Until Osmaan (Amol Parashar), the young student delivering food, steals his attention. Dolly’s problems don’t stop there. Her youngest son, Pappu (Kalp Shah), has a tendency to cross-dressing, likes to wear his mother’s make-up, wants to try on dresses, and prefers dolls to toy cars. When his school held a field trip, Pappu wanted to go with a group of girls to the puppet museum, but it was forbidden, because male students SHOULD go to the train museum. Alankrita commented on the colonization of gender identity, which has become firmly embedded in conventional culture.
Reading the description above, you might catch a glimpse of how many issues Dolly Kitty is trying to pinpoint. Apart from the freedom of female sexuality represented by her two protagonists’ quest for sexual satisfaction, there are issues with gender identity, harassment, parenting, and the tendency to blame wives for family problems (Dolly is considered the cause of Pappu not growing “as it should be”). At almost every point, the film imposes a new branch of the story, some of which are forced to connect with each other.
Whereas the urgency of the issues is high and deserves a more solid explanation. I take my hat off for Alankrita’s courage to break through the taboo. The audience was once asked to ask, “Which is holier? Is the “halal” profession as an accountant who is treated like a waitress for a coffee maker with a low salary until they are forced to steal office money, or is the “haram” profession filled with money without any cheating? ”. I guess nothing is holier or dirtier. There is no true truth. Only two women are struggling to make a living. Best Movie
Of course, the film’s greatest courage comes when it challenges the audience’s perspective on female sexuality. The climax shows the male occupation of women’s freedom to express their sexuality. Decisive, sharp, but sadly, too trying to surprise the audience, and once again, forcing the linkages between the branches of the plot.
But there is no sense of being forced into the acting of the two main actresses, which naturally brings to life the two female figures who are required to always fight. Yes, both of them made some mistakes, but the stern and sympathetic looks of Bhumi Pednekar and Konkona Sen Sharma, ensure that we continue to support them, who walk in the area of gray morality. Movie Review
By admin / October 5, 2020
The One and Only Ivan is not much different, and when the story is wrapped in Disney-style packaging, the result is a treat for an identity crisis, while entertaining, of course, with a heart.
Indeed, here there are no alien invasions, teenagers trapped in the eagle’s body forever, or depressive conclusions in which the protagonist goes on a suicide mission. The main character is Ivan (Sam Rockwell), a gorilla who is the main star of Mack’s Big Top Mall circus show (Bryan Cranston). If the other animals had to do a trick, Ivan could just show off his savage side, beating his chest while roaring. But gradually, public interest faded. They are threatened with bankruptcy. Top Movie Site
Until Mack brings in a new animal, namely an adorable little elephant named Ruby (Brooklynn Prince). Under the care of Stella (Angelina Jolie) the senior elephant, Ruby immediately became the star of the show. Ivan was forced to accept his stardom marginalized. Until an event forced Ivan to put his ego aside, for the sake of the survival of the animals, especially Ruby.
At first glance it sounds like a children’s film about a talking animal, right? However, as we get to know each character, it becomes clearer that The One and Only Ivan is not that simple. A flashback explains how Mack was abandoned by his wife, because Ivan, who was adopted as a baby, started growing up and often created chaos in the house. Then about Julia (Ariana Greenblatt), the daughter of a Big Top Mall employee, who interacts with Ivan almost every day. It is implied that Julia’s mother is not doing well (possibly contracting cancer).
The background of the cramped cages houses a line of animals that often act funny, like an illusion that obscures the dark reality outside. Speaking of cages, The One and Only Ivann also raised the issue of exploitation of animals, which are hunted in the middle of their habitat by humans. Some died, some were thrown in confinement as material for viewing in circuses and zoos. Best Movie
For humans, the animals are only a means of making money, which can be easily removed. Despite caring for Ivan from infancy, when financial demands came, Mack easily replaced the gorilla as the star of the show. As for the animals in cages, they are used to being locked up for almost their entire life, making them forget the feeling of freedom.
Here there is a contradiction. Mike White’s script (School of Rock, Pitch Perfect 3) talks about the importance for animals to live in their natural habitat, yet simultaneously celebrating showmanship. This was reinforced by the performance of Thea Sharrock (Me Before You), which showed more of a magical side than the exploitative side of each performance. Maybe the goal is not to make it all black and white, but what feels confused about determining the direction, between flicking the issue above, or making an all-age Disney-style film as usual.
In fact, The One and Only Ivan fulfills almost all of the requirements to be a touching animal-themed film. Sharrock is good at building emotions through visual language, as in Stella and Ruby’s first meeting, which is depicted through two touching trunk. The quality of CGI is capable of creating rich expressions on the faces of animal characters, especially Ivan. The orchestral music composed by Craig Armstrong (Moulin Rouge !, The Great Gatsby, Me Before You) is also effective at stirring up feelings, including the ending, which, in effect, is another manifestation of the identity crisis and naivety of his film, which celebrates false independence. Movie Review
By admin / October 1, 2020
No fewer than 147 lawsuits have been filed by the American Civil Liberties Union (ACLU) against the Trump administration. The first lawsuit came just a week after the inauguration, when Trump formalized an entry ban for Muslims. The Fight raised four of them. But the documentary by Elyse Steinberg and Josh Kriegman – this time forming a trio of directors with Eli B. Despres, who was their editor at Weiner (2016) – puts forward the human being, rather than the trio of proceedings.
In fact, emotions have been stirred from the first minute, when highlighting the immigrants who are threatened with deportation. We are reminded that this case involved human beings who were forcibly separated from their loved ones. Then we’re introduced to five ACLU lawyers: Brigitte Amiri, Joshua Block, Lee Gelernt, Dale Ho, and Chase Strangio. The five of them were involved in handling the four biggest cases, namely about abortion, LGBT in the military, voting rights, and immigrants. Top Movie Site
Not having much time to face the “Goliath” named “Donald Trump Administration”, the five “Davids” devote all their efforts so that they barely have time for the family at home, gathering material, conducting trial simulations (called “moot court”). They are fast and agile, and so are the films. The three directors wrapped The Gift with a fast tempo, without losing the neatness of their story, so that the general audience would have no trouble digesting the points surrounding the law and the trial.
Interestingly, we almost never enter the courtroom, given the prohibition against recording in some types of trials. Instead, several animated sequences are used, adding a variety of styles, in addition to conventional talking heads, and a vérité that captures the details of the activities of our five lawyers. While some of the footage, both Trump’s speech, and the recording of the narrative of his crooks, are effective in reminding the audience of how chaotic his regime is, which from the first second has shown the degradation of human values.
Unfortunately, once the intensity of the four cases has increased, where the problems become more and more complicated, it becomes increasingly difficult for the film to maintain a solid storytelling. It began to feel that the number of conflicts in The Fight exceeded what the makers were able to show. The dynamics have begun to be neglected to be guarded, as a result of the demands to summarize all cases, which take turns giving rise to new progress. Best Movie
Apart from these four cases, the hit-and-run tragedy in the middle of a demonstration in Charlottesville, has apparently not been ruled out. Controversy arose when the ACLU, based on the right to free speech, defended white supremacists and neo-Nazis to spread feelings. This matter also created differences of opinion among the top brass, and some members even opted out. But only a few facts are presented. Rather than exploration, its existence is limited to bonds, because it would feel awkward if the event was overlooked. The Charlottesville tragedy deserves its own documentary, which examines the complexities of the principles of free speech.
The Fight is not about that. The Fight is about oppressed minorities, and the abuse of power at the hands of the rulers that destroy humanity. David’s battle against Goliath, where easily, the audience will defend David. If not, then you are not the target market for this film, which depicts ACLU lawyers like real-world superheroes. Is it wrong? No, if you, like me, are among the target market, who believe that America is led by a supervillain in the real world. Movie Review
By admin / September 28, 2020
“Women are never to be entirely trusted — not the best of them,” said Sherlock Holmes in the novel The Sign of the Four (1890). It doesn’t take much research to conclude that Sherlock is not a defender of equality. How would it be, if he had a younger sister who inherited their mother’s feminine thoughts and was no less in terms of deduction than the famous detective? This interesting idea underlies Enola Holmes, who adapted the novel series The Enola Holmes Mysteries (to be precise the first book, The Case of the Missing Marquess) by Nancy Springer. Top Movie Site
As its name is the opposite of the word “alone”, Enola (Millie Bobby Brown) grew up alone, while his two brothers, Mycroft (Sam Claflin) and Sherlock (Henry Cavill) have made names in their respective careers. His eccentric mother, Eudoria (Helena Bonham Carter), teaches Enola to live independently, equipping him with all knowledge, both knowledge from books and martial arts training. Until right on his 16th birthday, Enola found his mother missing.
Enola’s intention to find her mother met with obstacles when her two sisters came home, especially from Mycroft’s insistence on sending her to a personality school, so that Enola would become a “dignified woman” so that it would be easy to find a husband. What about Sherlock? Compared to the two most recent incarnations that the public is most familiar with (the version of Robert Downey Jr. and Benedict Cumberbatch), Henry Cavill’s Sherlock tends to be warm, friendly, more open-minded about gender, and less-psychotic. Several times he defended, even helped Enola. Not the best Sherlock figure, with a simplified portrayal, but definitely the most suitable for the young adult film’s target market. Best Movie
The manuscript made by Jack Thorne (Wonder, The Secret Garden) contains the main formulas (read: clichédic) themed film empowerment from the mainstream: female protagonists who want to be free so they are considered wild, old-fashioned men who believe that women must be polite and respectful at the same time feminism is a form of madness, a female character who helps perpetuate this ancient mindset, to the seed of romance involving men who support gender equality. The man is a young Viscount Tewkesbury (Louis Partridge) who has run away from the house.
In addition to looking for his mother’s whereabouts, now Enola must also protect Tewkesbury from being chased by the killer (Burn Gorman) who was sent by whom. A story was created about the process of young women recognizing the harshness of the outside world, and having to struggle with applying everything their mothers taught. A family drama, a story of two women.
It’s a relief to see Millie Bobby Brown (also co-producer of this film) not trapped in the stereotype of her role on Stranger Things. His powerful appearance, intriguing as a character who often “breaks through the fourth wall”, is also convincing as a smart detective. Intelligence that is not only applicable in matters of solving mysteries, also enables him to turn the symbols of sexism into things that benefit him.
Enola’s journey of collecting clue pieces (mostly in the form of puns) is fun to follow, especially when Harry Bradbeer, making his directorial debut, applies some unique visual styles. Cheer up. At least in the first half, before the film loses its sense of urgency entering the middle of its duration. There were no surprises, and as time went on, the number of questions that aroused curiosity decreased. Enola managed to outperform everyone, be it male or female. But did he really solve the case? The answer is “no”. As a result, even though it presents a fun adventure as a potential franchise opener, Enola Holmes’s empowering elements are not very satisfying. Movie Review
By admin / September 24, 2020
Based on the novel of the same name by Donald Ray Pollock, The Devil All the Time opens its presentation by introducing Sergeant Willard Russell (Bill Skarsgård), who recently returned from his assignment in the Solomon Islands during World War II. From the name, it could be guessed that Willard was Arvin’s father. Willard marries a cafe waitress named Charlotte (Haley Bennett), and after Arvin is born, chooses to live in the remote hills of Knockemstiff.
Even though the years have passed, Willard is still haunted by the terrible incident when one of his comrades was crucified and tortured by Japanese soldiers. Willard kills his partner to end his suffering, not knowing that it will give him any prolonged suffering. Willard also made his own place of worship in the middle of the forest, put up a cross that reminded him of a traumatic incident, and invited little Arvin to pray there. Looking at Skarsgård’s eyes, we know Willard has never completely escaped the world’s hell, but has fallen even deeper. Top Movie Site
But that’s not all the story this film has. There’s about Helen (Mia Wasikowska), a religious girl who is married to Roy (Harry Melling), a radical preacher; Lenora (Eliza Scanlen), daughter of Helen with a religiosity similar to her mother, who meets Preston (Robert Pattinson) a pedophile pastor; married couple Carl (Jason Clarke) and Sandy (Riley Keough) who commit serial killings as a spiritual method to get closer to God; also Sheriff Lee (Sebastian Stan) the corrupt cop.
Apart from being the bestsellers, the Holland-Pattinson duo also gave the best performances among the ensemble cast. In the James Dean style, Holland shook off the “good teenage” image he acquired after playing Peter Parker, as a young man who doesn’t hesitate to resort to violence, because that’s what his father taught him. Meanwhile, Pattinson makes it easy for the audience to curse his character, but at the same time, stunned, at home staring at the screen every time he appears.
So many stories with different time and place settings can be handled by the script that was written by director Antonio Campos with his brother, Paulo Campos. Instead of being messy, the many branches actually make the speech tight, where the dynamics are always maintained without a single boring point. The use of voice over helps direct the audience to understand the details and the relationship between events which are quite complex. The novelist, Donald Ray Pollock, is the narrator in a deep, husky voice that amplifies the atmosphere. We are listening to an old man who has witnessed all the darkness of the world, telling stories accompanied by a bottle of whiskey. Best Movie
And it cannot be denied, The Devil All the Time is indeed dark. Very dark. Depressive nuances wrap stories filled with death, both murder and suicide, which, rather than sadism, emphasize psychological effects. Not to mention the matter of harassment, to other moral degradation. Whether or not all of this is debatable, but clearly not without purpose. Reading the plot excerpt above, apart from a few surprises that meet the paths of each character, maybe you can catch one more common thread, namely religiosity.
The majority of madness in character is based on devotion to God. But this is not a form of blaming religion, but a description of how terrible it is when the application of religion is interpreted by humans (read: Americans) who are unable to think clearly due to shocks in their souls. The shock, according to the film, started with war. That a mental problem caused by war can have a long and wide impact. It is even more terrible, because there is no sign that everything will end soon, when the rulers (state leaders, religious leaders) are still abusing their power. The characters act in the name of God, but it was the devil all the time. Movie Review
By admin / September 21, 2020
Hamilton recorded a Broadway musical of the same name (three shows put together to be precise) by Lin-Manuel Miranda. We are invited to sit with the audience at the Richard Rogers Theater where we can hear laughter and applause throughout the performance. But not even once we are brought up on stage. The camera always captures events from the front, even in multiple shot setups (including 13-14 musical numbers) taken using a Steadicam, crane and dolly.
As if there was a barrier that director Thomas Kail didn’t want to penetrate. The film allows the stage reality to remain on the stage, separating it from the real reality in the audience seats. Because what you want to give is the viewing experience. When close ups are used, the aim is not to diffuse reality, but merely to “compensate” for the atmosphere that will not be felt when watching on the screen. A conventional approach may lead to stronger musicals, but this is the best result to be had from the above objectives. Top Movie Site
Miranda’s manuscript adapted Ron Chernow’s Alexander Hamilton biography. Quite a bold adjustment, applied. Some of the most notable are the use of modern hip hop music, and the use of non-white players to play the founding fathers of the United States. Miranda made a “very white” story that became rich in diversity. Racist humans and adherents of white supremacy will undoubtedly burn their beards hearing the lyrics “Immigrant, we get the job done!”.
Miranda himself plays Hamilton, an immigrant from the Caribbean Island of Nevis, whom we follow along the 160-minute journey. Starting from his arrival in New York in 1776; involved in the resistance to colonialism King George III (Jonathan Groff) and his friends, including the French aristocrat, Marquis de Lafayette (Daveed Diggs) and Hercules Mulligan (Okieriete Onaodowan) the spy of Irish descent; became George Washington (Christopher Jackson’s) right hand man during the United States Revolution; until he assumed the post of Minister of Finance after independence.
If you are not used to watching musical sung-throughs, you may find it difficult to catch a line of Lin-Manuel Miranda’s “history lessons”. Moreover, it is not just sung, the majority of the dialogue is rapped. But for those who are familiar, will easily be amazed, both by the show itself, and the translation into film media. I was amazed by the actors, who were still at their prime, moving vigorously to every corner of the stage while throwing rap verses, which required a combination of stamina with extraordinary breathing techniques. Best Movie
I was amazed by the aesthetic. Lighting games, changing sets that blend seamlessly with the dance, to the center stage which can be rotated 360 degrees as a means of playing with blocking, where perfect timing of the movements and singing of the players is a must.
Regarding the film, assisted by the editing of Jonah Moran, Kail was able to strengthen the emphasis of the moment, which was achieved on stage through the play of lights and the motion of the actors. Kail knows when to use wide shot, medium shot, tracking shot, and close-up, to bring the impression as close as possible to watching it live in the theater. Although it must be admitted that Hamilton’s achievements clearly depended on the quality of his performances.
Meanwhile, the choice of music is a high achievement. Hip hop is full of sharp words as a platform for creative creativity, including when heated cabinet meetings are transformed into rap battles, R&B, to pop and ballads, coming together to create a variety of colors and flavor effects. The adrenaline was spurred on, the tears flowed several times. Meanwhile, the most laughter was present every time George III appeared. His figure is like a clown, as a satire of his cruelty, who says he wants to express his love for the people through massacres. I also chuckled to hear his surprise at George Washington’s resignation as President, because he did not know that the country’s leader could resign.
Arrogance, plus power, might make George III forget, or even care less, how history recorded his name. But Hamilton cares. Likewise Aaron Burr (Leslie Odom Jr.). Both may have different ideologies. Hamilton always stepped on the gas, while Burr chose to wait patiently. However, when the nation was formed, they both wanted to lay the foundation for their respective children. “Gotta start a new nation, gotta meet my son”, said Hamilton with teary eyes.
But when legacy matters clash with political filth, it’s not that easy to implement. There were actions of attacking each other, betraying each other, and even tragedy. From there we see if this film (automatically the show is the same) refuses to cult the protagonist. Hamilton is far from being holy, but that doesn’t mean his legacy is useless. The closing moment conveyed that, when his wife, Eliza (Phillipa Soo) sang an emotional number, Who Lives, Who Dies, Who Tells Your Story. Actually, Eliza was not the only time to steal the show. Every appearance always provokes emotion. Movie Review
Eliza is not the main character. The titles of films and shows do not bear his name. However, like other figures, he is a substantial part of the narrative recorded in history and his legacy will always be remembered. And of course, that “gasp”. Little closing gesture that raises lots of questions. Why did Eliza gasp? Did he break the boundaries of the realities of space and time and then see how his legacy was passed down along with the development of the nation he witnessed its birth? Or was it the “breaking the fourth wall” moment where Eliza made eye contact with the audience, realizing that her legacy formation had always been witnessed? Or the form of an “exclamation mark” from Lin-Manuel Miranda, to close his story which is like a series of emphatic statements?