By admin / May 3, 2021
In 2012, Kaouther Ben Hania visited the Louvre museum, which happened to be conducting a retrospective for Belgian artist Wim Delvoye. Ben Hania’s attention is drawn to one of the works entitled Tim. Not a painting, not a sculpture, but a tattoo on the back of a man named Tim Steiner. Apparently since 2008, the tattoo has been owned by a German collector, Rik Reinking, in an agreement that requires Steiner to sit shirtless for hours at various exhibitions to show his tattoo. Another astonishing point of the agreement is that when Steiner dies, his back will be skinned, so that the tattoo can be stored in the Reinking collection room. Top Movie Site
From there, The Man Who Sold His Skin was born, a Tunisian representative at the 2021 Academy Awards, who successfully entered the ranks of the nominees. The case is interesting, but what is Ben Hania trying to say? Apart from allusions to elitists in the art world, there is the issue of the Syrian civil war, as well as racism against immigrants, especially those from the Middle East (I believe the last point is what locks in the nomination status of this film).
Once upon a time, Sam Ali (Yahya Mahayni) was forced to flee to Lebanon, leaving behind his lover, Abeer (Dea Liane), as a result of being accused of provoking a rebellion. Not long ago, Abeer had an arranged marriage with a rich man and moved to Brussels, Belgium. Feeling the need to save the idol’s heart from the “clutches of monsters,” Sam accepts the offer of Jeffrey (Koen De Bouw), an artist, to tattoo his back. The condition is that Sam must be allowed to stay in Brussels.
Unlike Steiner, Sam’s tattoo is in the form of a Schengen visa. According to Jeffrey, the essence of his latest work is to criticize how Syrian refugees are labeled as persona non grata, making access difficult when visiting various countries. Now, as an art object, Sam is free to go anywhere to be shown in the exhibition. “Being a commodity actually returns humanity and freedom,” said Jeffrey. But it didn’t take long for Sam to realize that as he regained these rights, he also lost several other rights. Best Movie
At an exhibition, Sam was reprimanded when he wanted to take a photo with a boy who admired his tattoo. Sam was obliged to continue to sit under the light that shone on his back. As if only that tattooed back was the value of Sam, not him as a whole person. Even her behavior is never out of the scrutiny of the art dealer, Soraya (Monica Bellucci with blonde hair that will make a lot of viewers overlook).
Ben Hania’s manuscript is able to appear attractive in presenting the issue of the dilution of humanity, even when individuals are outside the war zone where many crimes against humanity have occurred. The scene where Sam is shown, then sits on a stage to be auctioned (in a scene that also nudges racism-based prejudice against Middle Easterners), is like turning the clock into slavery. However, modern slavery is under the guise of “art appreciation”.
The Man Who Sold His Skin is not as loud as The Square (2017) in making fun of the elitists of the art world. Instead of slapping their faces, Ben Hania just positioned the film like a museum visitor whispering, gossiping behind his back. The sharpness of Ben Hania’s presentation is also questionable, regarding Jeffrey’s depiction. Is he an elitist who is the target of criticism? If so, why did his attitude change in the end (even though he is still money oriented)?
Jeffrey’s sudden change is like the form of Ben Hania’s confusion over how to get her protagonist out of conflict. The conclusion looks like it comes from a different film (a light entertainment film full of twists that often don’t care about logic), although it must be admitted, in essence, The Man Who Sold His Skin provides the ending its character deserves, after prolonged frustration that was brought to life through Yahya Mahayni’s convincing acting. Movie Review
By admin / April 29, 2021
Love and Monsters, the film itself has been so binding since the unique prologue that gives a little twist to the story formula in a post-apocalyptic setting. After the appearance of an asteroid, civilization was almost wiped out, where the earth lived leaving 5% of the human population. But the asteroid wasn’t the cause. In fact, the asteroid was destroyed thanks to a missile. Unfortunately, when it exploded, chemical compounds used as the raw material for the missile rained down on the earth’s surface, turning cold-blooded animals into mutant monsters. Top Movie Site
For the past seven years, the survivors have been hiding in the dungeon to avoid the threat of monsters. One of them is Joel (Dylan O’Brien), who lives with one of the colonies as a chef. He wants to contribute more, but the problem is, Joel always freezes in fear when he is in a dangerous situation. Until he finds out the whereabouts of his lover, Aimee (Jessica Henwick), and is determined to take a deadly journey on the surface for seven days for the sake of his idol’s heart.
Very simple. There is no mission to save the world. As already written in the title, all done for love. Eliminate the question of the apocalypse and the man-eating monsters, then Joel’s struggle has probably also been experienced by many of us. But isn’t it the same reason that many other films have used? True, but Love and Monsters is a rare Hollywood product (especially these days), which completely manages to explore what it’s like to be separated from a loved one in the middle of the end of the world.
Joel’s adventure also represents the process of developing as the story from zero to hero in general. He learns to survive, to overcome fear, until he finally grows up when he is forced to look at a reality that is not as beautiful as expectations. Best Movie
The manuscripts by Brian Duffield (Insurgent, The Babysitter) and Matthew Robinson (The Invention of Lying, Dora and the Lost City of Gold) provide a plausible transformation of the protagonists. Joel is not a loser. He is handsome, kind, not awkward in socializing, has a beautiful girlfriend. I can imagine his life before the apocalypse was pleasant and comfortable. Precisely because of this comfort, Joel is not equipped with the ability to handle emergencies. Even excessive fear triggered by things that can be understood. The motivation is pure, the pain is reasonable, the character development is believable. Coupled with O’Brien’s ability to create a grounded protagonist in a fantasy setting, Joel is a very lovable figure.
Not only the main character, the other supporters also gave their lives. Throughout his adventures, Joel meets several traveling companions. Clyde (Michael Rooker) and Minnow (Ariana Greenblatt), an old man and a little girl who teach him various survival methods, a dog named Boy, also Mav1s who is a robot. Both writers know how to bring out the likeable side of each individual, so that in no time, no matter how human or not, the audience (and Joel) bond emotionally with them.
In the directing chair, Michael Matthews strikes a balance between taste sensitivity and skill at handling exciting action sequences. The visual effects (which earned an Oscar nomination) are convincing even though the film “only” has a budget of 30 million dollars, making the creators’ creative imaginations about monsters come true. Some looked terrifying, some on the contrary, like the appearance of strange world wonders. A world whose construction proves the visual storytelling capacity of films. No need for a prolonged exposition. The landscape without human existence, which occasionally shows the carcasses of both monsters and warplanes (implying the remnants of humanity’s last resistance), is sufficient to provide a clear picture of what kind of world we are witnessing. Movie Review
By admin / April 26, 2021
Violation is directed and written by two women, Madelaine Sims-Fewer (also filling the position of main actress) and Dusty Mancinelli, who have both recently made feature-length film debuts. Like Coralie Fargeat in Revenge, they both offer the psychic dynamics of the protagonist as a victim of rape. Top Movie Site
Her marriage to Caleb (Obi Abili) is in crisis, when Miriam (Madelaine Sims-Fewer) returns home to meet her sister, Greta (Anna Maguire), after years of separation. Greta herself marries Dylan (Jesse LaVercombe), who from various chats, seems to have known the siblings for a long time. Violation was built through chat. Many chats, thanks to the flexibility of the players, are presented realistically (to the point where they seem unscripted).
Many talk about past memories, the interactions are so smooth that they provoke further interest. The content seems trivial, for example about the strange poses of Miriam and Greta’s father while chopping wood, or the ridiculousness of their former mother. But that’s where the foundation is created, which helps the audience get to know the personal as well as the relationships between the characters. Miriam is a woman with problems, often getting into disputes with Greta, who has a tough personality. Meanwhile, Dylan is the type of man who can quickly get along with anyone.
Then after a midnight chat at a campfire involving alcohol, an outpouring of feelings, and a kiss, the rape ensues. There are no vulgar presentations, “just” some extreme close-ups of touching and touching skin. The film does not depict victims (read: women) in sexualized helplessness. On the other hand, later we will see the character of a man who looks helpless in a completely naked condition. From there, Violation reconstructs the formula for rape and revenge, not just exploiting women’s sexuality.
In addition, Sims-Fewer and Mancinelli also weave their stories using non-linear structures. Not only does it eliminate tedious waiting before the bloodshed, as did Gaspar Noé in Irréversible (2002), it reverses the structure of the narrative, in which (in part) acts of retaliation are presented before the rape, also keeps Violation away from the realm of exploitation. The focus of the audience is not waiting for revenge, but finding out why it was done. The audience is encouraged to observe the details of the incident, the mental condition of the protagonist, as well as the issue of sexual violence itself. Best Movie
Regarding the quantity of violence, although there is still blood, vomit, mutilation, and even cannibalism, Violation may not be brutal enough for viewers who are purely looking for the sadism typical of the revenge movie. But the purpose of the maker was not that. The impression of disturbing tends to appear in the mind rather than the eye, especially near the closing point, when we are provoked to imagine something the film implies regarding the method the character chooses to take revenge on.
Violation explores the inner conflict of the victim, describing how she felt from the time the rape took place, until after executing her retaliation. Sims-Fewer’s acting is on a similar path. The dynamics of his emotions are always in progress, from being shaken, confused, angry, sad, maybe even regretful after taking revenge, to finally “receiving”, which is also the victim’s victory point.
Unfortunately there is one problem, which is a post-rape scene, where Miriam comes close to committing similar harassment. It is true that he was shaken, but that is not an acceptable justification, especially in a film that sided with the victim of rape. Maybe that’s Violation’s way of portraying the complexity of the issue? Beyond the irony when fellow women even participate in blaming the victim, maybe that is how Sims-Fewer and Mancinelli describe reality if the victim is not a perfect figure? I use the word “maybe”, because there is never any clarity, which ultimately distracts the important message of the film. Movie Review
By admin / April 22, 2021
If in the midst of the lack of description of this film you know what Earthrealm, Netherrealm, and Outworld are, chances are that the reboot for this Mortal Kombat big screen adaptation will be satisfying. This means that you are a fan, which, hearing terms such as test your might to (of course) fatality alone provides its own pleasure. Whereas the general audience may complain about it as forced fan service. Top Movie Site
Not without disappointment. In contrast to its image in the eyes of the lay public, Mortal Kombat is not limited to a bloody tournament where fighters mutilate their opponents’ bodies (or turn them into babies every now and then). Stored mythology complex is amazingly long involving various realms, gods, even time travel. Simon McQuoid’s directorial debut missed it. Not even the reasons for holding the Mortal Kombat tournament will not be found.
Taking the foundation of the plot from the game plus some elements belonging to the animated Scorpion’s Revenge (the best Mortal Kombat film so far), Mortal Kombat opens when Bi-Han aka Sub-Zero (Joe Taslim) from the Lin Kuei clan massacred Hanzo Hasashi (Hiroyuki Sanada) of the Shirai clan. Ryu and his family. As we know, Hanzo will later return as Scorpion to seek revenge.
But before that, we were invited to get acquainted with Earthrealm heroes from the present. One of them is Cole Young (Lewis Tan), a former MMA fighter who has lost his prime. Choosing Cole as the protagonist is actually questionable. First he is a new character, and second, even after being able to awaken his special abilities, Cole is still a character without charm, with boring costumes and strength, especially when juxtaposed with the iconic Mortal Kombat line-up.
Thanks to information from two former special military forces, Jax (Mehcad Brooks) and Sonya Blade (Jessica McNamee), Cole finds out that the dragon tattoo on his chest is not an ordinary birthmark, but a sign that he is one of the fighters chosen to represent Earthrealm in the Mortal Kombat tournament. . Apart from the three, there are Liu Kang (Ludi Lin) and Kung Lao (Max Huang), who under the guidance of Raiden (Tadanobu Asano) the god of thunder, must fight against the Outworld troops led by Shang Tsung (Chin Han). Movie Review
Next, the script by Dave Callaham (The Expendables, Zombieland: Double Tap, Wonder Woman 1984) and Greg Russo features a half-baked plot with skipping movements, made worse by rough editing. Viewers who don’t know anything about the game will often be confused. Why did incident A happen? How can character B appear again?
There is an impression that in the drafting phase there is confusion as to whether you want to create a story full of mythology or completely abandon it, and focus only on scuffles. On the one hand, the story often takes too long to divert the film from the fight, but on the other hand, as already mentioned, the riches of the Mortal Kombat world fail to be explored.
The biggest difference between this reboot and Paul W. S. Anderson’s version is the tone. Cheesy shades were removed to facilitate brutality. The question is, is there a need for a gritty approach, when the game itself is so over-the-top that it’s often ridiculous? In the film where the character issues “flawless victory” after splitting the enemy’s body, it feels like the seriousness is not quite right to apply. Tone inconsistency occurs. Liu Kang, through all the monk-style manners, looks ridiculous in the serious narrative of the film. It could also be that, if it is packaged cheesy, there is a place for the legendary theme song Techno Syndrome to appear instead of the adapted version (even though it actually evokes enough nostalgia and enthusiasm).
Apart from Liu Kang and Kung Lao who looked like kids yesterday afternoon rather than earthly hope fighters (especially Kung Lao, as the descendant of “The Great Kung Lao”, Earthrealm’s first Mortal Kombat champion), the presentation of other characters tended to be satisfying, both in terms of design and characterization. Even the film had time to insert a clever nod about Noob Saibot. Regarding characterization, Kano (Josh Lawson) appears most attractive as a sadistic mercenary who is reluctant to stop joking.
Mortal Kombat’s best point is of course the action, where McQuoid knows very well that a flood of blood is not enough. The finishing move is a must, and it presents a variety of creative fatality that will be familiar to gamers (especially for Kung Lao, Scorpion, and Sonya). McQuoid uses fast cutting, which is combined with adequate sound system and choreography, so that instead of being chaotic, the majority of the fight feels hard-hitting.
If Kano steals the focus when it comes to characterizations, when it comes to scuffles, the stars are Sub-Zero and Scorpion. Supported by Joe Taslim’s martial arts skills, the audience was treated to a variety of unique movements typical of the ice ninja. Scorpion? There’s no need to bother discussing the choreographical stuff. The fact that he uttered the catchphrase “Get over here!” accompanied by the theme song, it has become a highlight. Best Movie
Once the film ends, there is the impression that this is actually a prologue for a larger follow-up story, with more threatening conflicts, as well as the appearance of more fan-favorite characters (one of which is teased at the end of the film). Satisfying, provoked interest in the sequel, but left hopes of improvement on many sides, especially world development.
By admin / April 19, 2021
When man wants to live, does he really want to live life, or is he afraid of death? Why fear of death, when dying is like a long sleep forever? Why is it not life to be feared, when life leaves a lot of pain? Through its two protagonists, a former intelligence agent who is just dying from illness and a cloned immortal individual, director / scriptwriter Lee Yong-ju explores the above series of questions, in order to produce thought-provoking blockbusters, although not all subjects get satisfactory answers. Top Movie Site
Min Ki-hun (Gong Yoo) ‘s life fell apart when we first met him. In addition to the illness for which he was sentenced to short life, he was addicted to drugs. Until his former boss in the intelligence bureau, Ahn (Jo Woo-jin), offers him a mission to protect Seo Bok (Park Bo-gum), the first cloned human who has immortal life. The cells in his body are also believed to be able to cure all diseases. Not only that, Seo Bok also has other super powers. His brain waves can control the pressure of all objects, so he is able to move anything only through his mind.
Of course, with this ability, many parties desire to control it, and that’s where Seobok builds the foundation as a road movie with a science fiction action cover. It is true that there is a series of actions, even the budget of around 16.5 billion won (nearly 15 million dollars) is able to give a pretty solid CGi effect, but the main focus of the film is to explore perspectives on life. Movie Review
On the sidelines of the trip, Ki-hun and Seo Bok often exchange ideas, throwing questions as written in the opening paragraph. As an immortal, it’s only natural when Seo Bok asks, “What dying feels like?” to Ki-hun who is seriously ill. Only when following the question, “Did it feel good to live?”, I was momentarily stunned. The common belief that “life is a gift” makes people rarely, or never asks, that. Because unlike us, for Seo Bok, success in survival is not an achievement.
Obviously the film’s answer to Seo Bok’s question is, “Yes, it feels good to live”. Why? Due to feelings of guilt from the past, Ki-hun realizes that he deserves to die, but he still wants to live. Why? After a scene wrapped in a beautiful and magical visual set on a beach, Seo Bok is able to lift Ki-hun out of sin, but Lee Yong-ju fails to provide a satisfactory conclusion to the process of the protagonist. So did Ki-hun choose to live because she really wanted to, or just because she was afraid of death? The answer is never convincing.
The emotional impact of the drama’s presentation was also choked up because some scenes took longer than they should have been, as if refusing to end even though the point had been conveyed. The ending was not boring thanks to the appearance of the two main characters. When Bo Gum had an “innocent” face that suited Seo Bok’s purity, Gong Yoo became polar opposites. Messy, messy, easily annoyed. Not infrequently, their strong chemistry is used as a means of creating dynamics, especially in every insertion of humor, which occasionally leads Seobok into the realm of buddy comedy.
Being known as the figure behind the birth of the romance Architecture 101 (2012) does not make Yong-ju awkward in directing the action, which is unexpectedly quite brutal and painful (not gory, but has more violent than expected), especially when it involves Seo Bok showing off his strength. super. Best Movie
By admin / April 15, 2021
Impressive filmographic capital (I Saw the Devil, The Unjust, New World, The Wtich: Part 1.The Subversion) as a director and / or screenwriter, made Park Hoon-jung’s latest work, which premiered at the Venice International Film Festival this year. 2020 ago, just look forward to it. A dark, nihilistic crime drama, about a group of individuals familiarizing themselves with death. It seems that when the bloodshed has resulted in many deaths, Jeju Island, which is known for its peace and heavenly beauty, appears even thicker than the darkness of the night. Top Movie Site
Thanks to his experience, Hoon-jung knows how to produce a film with the theme of the gangster world, and what are the elements that make this genre one of the identities of South Korean cinema. The world is like a wild forest. All are prey to each other. Whoever shows weakness must be prepared to die. Also, no deed (good or bad) goes unpunished.
So when Park Tae-goo (Uhm Tae-goo), a gangster member, finds his older sister and nephew killed by an opposing gang, what he does afterward is like a natural legal process. Tae-goo draws a knife at the gang boss’s neck, in a sequence that marks the first time the audience has witnessed the bloodshed in Night in Paradise. Of course it is far from the last. Best Movie
For his safety, Tae-goo was sent by his boss (Park Ho-san) to Vladivostok, Russia. Previously, he had to stop in Jeju for a week, awaiting further instructions. That’s where Tae-goo meets Jae-yeon (Jeon Yeo-bin), a cold-tempered girl who is seriously ill. His uncle, Kuto (Keone Young), intends to take Jae-yeon to America for treatment, which will increase his chances of recovery, from under 10% to close to 20%. Not a promising number.
Night in Paradise contains people who have reached a dead end in their lives, then choose to surrender to the current instead of fighting their way to the surface. Jae-yeon and his illness, while Tae-goo later finds out that due to a betrayal, his life has become the target of Director Ma (Cha Seung-won), one of the leaders of the opposing gang who intends to take revenge. Both of them may no longer care about their own safety, but what if they involve other people? Movie Review
That statement was uttered, along with character exploration through a long series of interactions and minimal explosions, which might be boring for those who come for the brutal action parade of gangsters. But for viewers who can appreciate acting, Night in Paradise appears quite captivating. Uhm Tae-goo and Jeon Yeo-bin represent the humanist side of the story, bringing to life the dynamics in the interaction of two pessimistic humans.
Meanwhile, Park Ho-san and Cha Seung-won came from the side of the black world, carrying out their respective roles through opposite attitudes typical of gangster stories. While Ho-san is a sycophant who justifies any means (reminds me of his character in the drama Hush, only without the comedy flavor), Seung-won is a cruel and intimidating figure. The conversation between the two seemed to present gravity that drew strong attention to him.
By admin / April 12, 2021
Emma Seligman packs her directorial debut like a horror film, with Ariel Marx’s uncomfortable tone-building music, as well as a few moments where two characters cross paths who appear like friendly versions of a jump scare. But Shiva Baby, as the development of a short film of the same name by Seligman, is a comedy. Even so, this comedy takes place, which for many people may be even scarier than a ghost: a family event. Top Movie Site
Shiva is celebrated by the Jews for a week as a form of mourning. Large families and relatives get together, but like any other family gathering (making the film feel universal), apart from sharing sadness, the event also becomes an arena for gossip. Where do you go to school? Which college do you study? What do you want to do? How come it’s just now? Where’s the girlfriend? When will you get married? Who is not disgusted by these series of questions?
Danielle (Rachel Sennott) is forced to come to fulfill the request of her parents (Polly Draper and Fred Melamed). Moreover, Danielle’s life is not something to be proud of in the eyes of the extended family. He was still confused about the future. In contrast to his ex-lover, Maya (Molly Gordon), who is determined to continue to law school. Danielle was surprised to learn of Maya’s presence, while her mother, who was at least more open-minded than the majority of her family members, warned, “No funny business with Maya”.
But Danielle has other funny business. The film opens by Danielle groans in the middle of sex. “Yeah daddy”, he said. Of course “daddy” here does not mean literal, but it refers to Max (Dany Deferrari), who is Danielle’s sugar daddy. Later, unexpectedly, Max will increase the pressure received by Danielle in the middle of the shiva. Likewise Kim (Dianna Agron), a successful businessman who comes with her baby. How these people are connected, I’m not going to divulge it.
At first, it was not easy to enjoy Shiva Baby, because Seligman’s efforts to provide an immersive experience, so that the audience could feel how confused Danielle’s heart was, among the boisterous questions that kept terrorizing her. It is not uncommon for the “chaos” to drown out the satirical power of humor. But over time, Seligman’s approach has increasingly demonstrated its superiority in terms of building atmosphere, as well as intensity. Best Movie
In addition to horror-style music, Seligman’s directing is capable of giving birth to a claustrophobic atmosphere, whether through the use of close-ups, visual effects (some distorted visions), to frantic editing methods to describe the pressure the protagonist is receiving from all directions. The closest comparison is to Trey Edward Shults ‘Krisha (2015) and Safdie Brothers’ Uncut Gems (2019).
Sennott did well to live up to the nervousness of a girl, who, like any other teenager, was swaying. There is confidence in his ability to do more, but at the same time, there is also doubt about that belief. Danielle, who studied gender in her school, initially believed that sexuality was a way of expressing empowerment. Then doubts got stronger, even at one point, driven by a personal ego, she played down the achievements of Kim as a career woman, which as a feminist, she should have “celebrated”.
Seligman offers an interesting empowerment perspective here. He provides a representation space for bisexual characters, throws criticism for parasitic men like Max (or we often call it “mokondo”), while conveying the reality that ironically, often fellow women (who are supposed to fight against repression) actually dwarf one another, corner, even drop. Before being intriguing (at the same time sweet and positive), inviting the audience to laugh at the common fate (this film was made based on Seligman’s personal experience), as if while saying, “Well, family will stick together no matter what, right?”. Movie Review
By admin / April 8, 2021
Featuring killer jeans, Slaxx carries the same passion with titles such as Little Shop of Horrors (1986), Evil Bong (2006), to Rubber (2010). A class B horror comedy, which shines even more with the increasing stupidity of the film. This time the setting is the world of the fashion industry, which is an open secret, that behind its glamor, always keeps a dark side. Top Movie Site
Libby (Romane Denis) enthusiastically welcomes his first day working at the Canadian Cotton Clothier (CCC) clothing company. His admiration for the leader, Harold Landsgrove (Stephen Bogaert), who always insists that the CCC is against the exploitation of workers, the use of child labor, and the use of GMOs in the manufacture of products. The perfect identity for the company that grew up in the woke generation.
Employees are called “CCC Family”, the workplace is called “ecosystem”, manager Craig (Brett Donahue) looks friendly with a smile that never fades. Everything is perfect. But Libby is too excited to realize that something that looks perfect is suspect. Until their newest product, “super shapers”, jeans made from a revolutionary material that can adjust the size of the wearer’s body, live and start to commit slaughter.
That night became the right stage for the murder, because all employees were undergoing lockdown in the store, in order to prepare for the launch of the super shapers the next morning. Libby and Craig were the first to find the body of one of the employees, who was littered in the toilet, his body split in half and his stomach contents scattered. Libby was about to go to the police, but Craig said no. First, the lockdown did not allow them to contact outside parties. Second, Craig didn’t want to spoil the launch event, to keep his chances of receiving promotion. Best Movie
Yes, even though one life has been lost, all work must run normally, in line with the issue of the company’s reluctance to care for employee welfare. Director Elza Kephart, who wrote the script with Patricia Gomez, deliberately made Slaxx a satire. Racism, capitalism, exploitation of the fashion industry for labor, all flicked, although unfortunately less sharply. Even the humor, such as when Libby discussed the Indian Hamara song with Shruti (Sehar Bhojani), was not how effective it was to provoke laughter. Cliché. Satire for casual racism, in a form that has been repeatedly applied by other comedies, many of which have better presentations.
The flow moves repetitively at the beginning. A character secretly wears super shapers (either personal desire or the result of hypnotic control of the pants), is massacred, then the film repeats the pattern with other characters. Only when the existence of the killer pants became known to everyone did the madness increase, and Slaxx appeared (a little) more varied. The duration of 76 minutes is maximized without any wasted moments, including eliminating the element of stalling, such as a skeptic who doubts the existence of killer jeans.
Besides being brutal, the methods of killing him are quite varied, as creative as how Kephart visualizes super shapers, which sometimes appear like a giant snake while enjoying the victim’s blood. Yes, apart from killing, these jeans also drink blood. The more blood is drunk, the logo on the back of the pants, changes color from yellow to red. Somehow. This has never been explained. The climax is anticlimax, not maximizing the potential of flooding the screen with blood, but not to the point of erasing the fact that Slaxx is a silly, fun entertainment. Movie Review
By admin / April 5, 2021
Farewell Amor is a small type of film that has circulated at several circuit festivals, but not high profile enough to attract the attention of the wider public, then enliven the awards season, nor too obscure and artsy to gather cult following in the cinephile ranks. Moreover, the attention related to the theme of “immigrant life” is focused on Minari. Top Movie Site
Initially, I didn’t have much expectation about the debut of Ekwa Msangi (director and scriptwriter), which was made based on his short film Farewell Meu Amor (2016). Until then Msangi’s sensitivity surprised me. Even since the opening scene, there is a touching reunion between Walter (Ntare Mwine), his wife, Esther (Zainab Jah), and their teenage daughter, Sylvia (Jaime Lawson).
The three met after 17 years ago, after the end of the civil war, Walter left Angola for the United States, where he worked as a taxi driver, while Esther and Sylvia moved to Tanzania. At first glance, the reunion is full of happiness, but soon we see a stumbling block emerge from the hope of building a harmonious family based on the American Dream.
Sylvia looked awkward in front of her father. But isn’t that natural after a dozen years of not seeing each other? True, but slowly the fundamental differences began to emerge. To Walter’s surprise, he found that his wife was now so devout of religion, prayed eagerly to be kept away from “demonic devastation”, and even refused to drink alcohol. In fact, the Esther he used to know was a cheerful woman who liked to party and dance. Best Movie
Walter himself keeps a secret. As Esther continues to be loyal, Walter spends years in America with a woman named Linda (Nana Mensah), whom he is forced to leave, once his wife and child arrive. While her parents are having a hard time rebuilding the relationship, Sylvia is also in trouble. From acts of racism by fellow blacks who called him “African”, to the desire to participate in dance competitions that his mother opposed.
Msangi divides the plot into three chapters which are titled according to the names of the three main characters. Each chapter serves to invite the audience to get to know the character further. Both directing and writing, Msangi always puts empathy first. The audience is made to understand, without having to agree. The wrong actions (Walter’s affair, Esther’s fanaticism) are still wrong, but thanks to deep understanding, we won’t hate them, even sympathize.
Walter’s decision to have a relationship with Linda, rather than disloyalty, tended to be based on loneliness and despair. Seeing conditions related to immigration, the chances of never seeing his family again are greater. Solitude also haunts Esther, who has lost so much (and is afraid of losing even more) that she needs a grip, which she finds in religious teachings.
Complex, heavy, but again, Msangi tells her story with empathy. Rather than angry outbursts as criticism, the focus is on expressing concern for immigrants. As a result, Farewell Amor has become a positive story that believes in hope. With such positive nuances, in a more universal realm, the film talks about family. That whatever happens in a husband-wife relationship, don’t let the children suffer the consequences. Movie Review
By admin / April 1, 2021
Godzilla vs. Kong has all the pros and cons of modern kaiju films, with the biggest advantage being the success of fulfilling the promises that have been made since 2014, when Godzilla opened the MonsterVerse franchise. The promise that, when the majority of films labeled “versus” tend to hesitate to give definitive answers, the two monsters will scuffle each other until one winner emerges. Well, sort of. The conclusions are still trying to be fair, but at least, after going through 103 minutes of duration, you can answer the question of who is stronger between Godzilla and Kong. Top Movie Site
Why isn’t Kong involved in Godzilla: King of the Monsters (2019), even though as the title suggests, there is a big battle that determines who is the king of monsters? Apparently Dr. Ilene Andrews (Rebecca Hall) and the team, hide Kong in an artificial ecosystem, to protect him from Godzilla attacks. Dr. Ilene has an adopted daughter named Jia (Kaylee Hottle), a Skull Island native who was orphaned after a natural disaster took her parents’ lives. An inner bond arises between Kong and Jia, which allows him to communicate with the monster.
Meanwhile, after three years, Godzilla suddenly launches an attack on humans, which makes the CEO of Apex (a company that specializes in “Titan problems”), Walter Simmons (Demián Bichir), send Monarch geologist, Dr. Nathan Lind (Alexander Skarsgård), searches for the origin of the Titans, who are believed to store a source of energy to protect humanity from Godzilla. Best Movie
If there was one promise that failed to fulfill, it was giving absolute focus to the monsters. Because again, the ranks of human characters are boring, more dominating. Even the manuscripts made by Eric Pearson (Thor: Ragnarok, Black Widow) and Max Borenstein (Godzilla, Kong: Skull Island) forced a portion of Madison (Millie Bobby Brown), on the grounds, as an advocate who struggled to clean Godzilla’s good name. Yeah, sure. Like Godzilla cares about his reputation.
It is true that the audience needs to understand why Godzilla has returned from being a protector to a threat to humans. But that role can be given to other characters (which are quite a lot), instead of adding to the subplot insubstantial, which further weakens the intensity of the film when the fistfight of the two monsters is absent. Apart from being insignificant, Madison, along with her friends, Josh (Julian Dennison), and Bernie (Brian Tyree Henry), a special podcaster for the conspiracy theory about Titan, are also the reason for the peak of the fight to end prematurely, as well as a bit of an anticlimax.
Instead of making excuses for humans to have a job to do, why not spend some time exploring mythology instead? In the middle of the story, the film takes us on an adventure to the “other side of the earth”. Into the world of fantastic, imaginative visual designs where Titan originated. Unfortunately the trip ended in disappointment, because the mythology about Titan did not explain at all. Yes, Pearson and Borenstein feel the need to add a subplot about trying to clear Godzilla’s reputation, but not with the interesting legends surrounding his monsters.
While script improvements can lift the overall quality of the film, Godzilla vs. Kong will be fine as long as the action scenes are satisfying. This is where Adam Wingard, after successive failures in Blair Witch (2016) and Death Note (2017), has successfully restored his reputation as one of Hollywood’s most promising directors. Even though Godzilla and Kong only collided when the duration reached about 40 minutes, even if there were only three massive action sequences in total (the third sequence as the true climax of the second sequence extension), Wingard’s execution made him very satisfying.
Accompanied by the bombastic music composed by Junkie XL, Wingard used all kinds of fighting methods, either barehanded or using weapons (including Godzilla’s atomic breath). Despite presenting a battle between giants, the camera moves dynamically, plus several unique placements. For example, when the camera is placed in the cockpit of an airplane taking off, while behind it, Kong appears to be in action, giving an immersive impression, as if the audience is in the middle of the battlefield. Movie Review
Godzilla vs. Kong was also able to mediate between audience preferences regarding setting time. There are those who like the daytime because all the details of the battle are visible, others choose dark nights for an apocalyptic impression. This film has both. In fact, the climax takes place in both settings. As I mentioned above, the peak moment ended prematurely and was a bit anticlimax (for some reason the two writers felt the need to “help” end the fight), but it did not cover the fact that Wingard was able to give birth to a “threesomes” (yes, not only involving two monsters). most epic on the big screen.
By admin / March 29, 2021
Notturno opened by silence, when the dawn sky was still not illuminated by the sun. Then the boots of the running troop of soldiers broke the silence. Then silence returned, before the next group of soldiers followed. And so on. Silence has indeed closely accompanied the documentary by director Gianfranco Rosi (Fire at Sea), which represents Italy at the 2021 Academy Awards, although it ultimately failed to win a nomination. Top Movie Site
Another silence was as Rosi followed a duck hunter’s boat through a dark marsh. At one point, the sky and water turned orange. Has the sun started to rise? I thought so, until faintly heard the sound of bullets. Apparently the color was caused by a fire due to the outbreak of a shootout. The silence in Notturno is sometimes peaceful, but in truth, it is a remnant of grief and trauma in a different form.
Taking pictures for about three years, Rosi highlighted the daily lives of Syrians, Iraqis and Lebanese, who live near the war zone. Shown how they try to live their daily lives normally. But after years of terror (including from ISIS), “living a normal life” has become a luxury that is almost impossible to buy.
We heard from the soldiers’ chatter that ISIS was going to surrender. Other than the brief shot, we never saw him in person. Because it’s not the war itself that Rosi wants to show, but the inner wounds that exist. Even though she was invisible to the eye, she felt very haunted throughout the film.
Almost no music. Even verbal interactions are kept to a minimum and heard only when the situation does not allow it without them. For example, advice from a teacher to children, who was asked to take a photo of his experience nailing ISIS. The boys spoke casually and described the physical and psychological torture (some beaten, some witnessed beheadings, etc.) as if it were routine. Heartbreaking. Best Movie
In addition to directing, Rosi also manages the sound and cinematography department which is full of beautiful visuals. Behind this beauty hides a “cold” atmosphere that hurts people’s hearts. But Rosi’s briefing also highlighted anomalies. Many moments seem to be staged. Of course, no documentary is without the filmmaker’s involvement, even if it carries styles such as theft on the wall, observation or cinema. But it becomes a problem when the “technique” causes a distraction.
The first concerns the level of silence, too excessive to distort realism. In contrast, his way of reconstructing history contributed to some heartbreaking moments. The two most important points of a mother’s sadness. The first mother complained to the prison where her son died after being tortured, while the next mother listened to voicemail messages from her daughter, who was kidnapped by ISIS.
For many viewers, Notturno may not be a friendly documentary due to the absence of a central figure. Individuals come and go, with no one really knowing them, except for the forms of suffering they are experiencing. This choice is not without purpose. Rosi is not telling individual stories, but collective experiences. Tend to have difficulty creating attachment feelings? It is true, but at least Notturno provides innovation, especially for audiences who are getting tired of the talking head technique in conventional documentaries. Movie Review
By admin / March 25, 2021
Zack Snyder’s Justice League is a very interesting product when it comes to authorship. If you don’t live in a cave, you know the story.
The end result is a ridiculous mess. Justice League which was released in 2017 is a non-stop two hours of things that will make the audience frown. Two hours was indeed a very short duration to introduce new characters (at that time) such as Barry Allen / The Flash (Ezra Miller), Arthur Curry / Aquaman (Jason Momoa) and Victor Stone / Cyborg (Ray Fisher).
Not to mention that the Justice League makers had to introduce the villain (Steppenwolf, played by Ciarán Hinds, using motion capture technology), why did the villain come, how did he rule the Earth, how Bruce Wayne / Batman (Ben Affleck) collaborated with Diana Prince / Wonder Woman (Gal Gadot). ) to form a new gang that eventually takes the audience to the revival process of Clark Kent / Superman (Henry Cavill) and so on.
Of course, all these things will not be done in two hours without having to sacrifice a few things. And that’s why the 2017 version of Justice League feels in tatters. Best Movie
Director Zack Snyder himself said that he had never seen Whedon’s version of Justice League. According to some of the articles I read, the producers forbade him from watching because whatever he wanted didn’t happen in the 2017 version. Their vision just wasn’t the same and that’s why the 2017 version of Justice League feels so weird. Whedon is a bit cynical while Snyder wants over-the-top emotions. A very unsuitable fusion.
What’s interesting about all this noise is that Snyder always declares that he has his own version of Justice League. He knows how to tell this story according to his vision. Hearing this DC fans (or Snyder fans?) Campaigned hard for Warner Bros. giving Justice League audiences exactly what their creators wanted. They flooded social media with the hashtag #ReleaseTheSnyderCut, created billboards on ComicCon with the same campaign and so on.
And for the first time this campaign was successful. Warner Bros. finally listened to the fans’ cries and said yes to Snyder for releasing his version (and poured tens of millions of dollars into presenting this new version). Either the goal is because they really want to please disappointed fans or want to get new subscribers to stream their platform (HBO Max). Movie Review
By admin / March 22, 2021
This film tells the story of a young Tunisian psychoanalyst, Selma, who has just returned from France. This woman returned to her hometown, the city of Ezzera, to open up
However, at that time, Tunisia had just emerged from its dictatorship. Apart from experiencing a cultural shock with her French mind that is more “open” and more rebellious to the indigenous culture, Selma is also in conflict because she has difficulty getting a license to practice.
The synopsis of the Arab Blues and the topic that he raised at first would make the audience feel jittery. However, take it easy, because even though it departs from a cultural clash and with forward-thinking female figures, the Arab Blues nuance is more playful and the comedy vibe is quite strong. This is certainly different from Persepolis (2007), a film by Marjane Satrapi which tells the story of a woman and upheaval in her hometown, Iran.
The dialogues are quite fresh and the interaction between Selma and Naim, a policeman who is always watching her movements is one of the things that makes this film cheerful. Naim himself is actually a more likable character than Selma himself, which in fact has been found in many French films with characters of Arab blood.
How many of you have annoying siblings, or siblings who are so excited that they want to try all new things? Of course almost all of us have that and that is often the case during Eid, Christmas and other family events. That is, a fact faced by Selma on his return from France. Best Movie
She has to interact with her obnoxious aunt and uncle and other community groups as she carries out her dream of building community. In addition, he also had to deal with complicated bureaucracy and lowered the ego of his youth.
One of the things that will irritate and empathize young people is when Selma goes to the hospital. The senior doctor there, apart from being busy with many patients, also didn’t seem to care about him. Worse, the way he handled patients was impolite, due to the booming number of patients.
Apart from that, the interaction between Selma and the police was also hilarious. At a time when he was told to blow his breath as a form of alcohol test, the cop wanted him to do it manually because of “budget cuts.” Very typical of a third world country, right?
Selma, like most fresh graduates, has big dreams as well as a figure to be admired. Since he is a psychoanalyst, who else could it be if not Sigmund Freud, a French psychoanalyst who is famous for his iceberg theory. Therefore, this film will make young people scream “I really am!”, Especially those who are thirsty for knowledge, thirsty for career paths, and want to break existing regulations. Maybe, if Selma was a Twitter kid, she would be totally blended with lots of people and the threads she made would go viral.
Apart from the strong character of Selma, other things that are fun about this film is the cinematography. The Arab Blues film portrays a third world country in Africa realistically and is neither too bad nor too stunning. You will see a picture of Tunisia as it is through various shooting angles.
Arab Blues feels like a rather “sotoy” French film about Tunisia. Maybe the feeling is the same as when you watched Emily in Paris – a Hollywood series on Netflix that is “sotoy” in describing Paris.
However, just calm down. Apart from some annoying stereotypes about French and Tunisian people, the Arab Blues film is not as frequent as the Emily in Paris series, really.
It’s still a cute film, a film that makes you miss your hometown, and you question what your goal is to achieve higher education. Is it just wanting to get recognition from others and yourself, or do you want to do something bigger? This film is for those of you who are full of dreams and want to make them come true. Movie Review
By admin / March 18, 2021
A biographical film about the Black Panther Party frontman, produced by director Black Panther and starring an Oscar-nominated actor. Sounds like Hollywood’s prima donna project, right? An “Oscar stanza”. So thought Shaka King, as the director and scriptwriter (with Will Berson) of this film. I thought so too. Apparently not. Top Movie Site
Forest Whitaker and Antoine Fuqua have tried to tell the life story of Fred Hampton. The project was not realized. The comedian duo Lucas Brothers (Kenny Lucas and Keith Lucas) also had similar ideas to Netflix and A24. All refused. Before Judas and the Black Messiah was finally realized, it was after several rejections. Why is it that in an era where black superhero films grossed billions of dollars, and black movies often triumphed at award shows, does Hollywood keep turning its face away from Fred Hampton’s life?
Of course the answer is “propaganda”. Ask non-black people about the Black Panther Party, in all likelihood, the majority associated the organization with radicalism. We can see in this film how the director of the FBI, J. Edgar Hoover (Martin Sheen), branded them as terrorists. Meanwhile, his subordinate, Roy Mitchell (Jesse Plemons), equates the Black Panther with the Ku Klux Klan. That is why the appearance of Judas and the Black Messiah is so important, in order to introduce the real faces of Black Panther Parthym, especially Fred Hampton, to the world. Best Movie
Fred (Daniel Kaluuya) is the “Black Messiah” as the title refers. A young leader of the Illinois branch of the Black Panther Party. His figure is known as a great orator who is able to stir the flames of the mass struggle. No wonder, because he had memorized the rows of Malcolm X’s speeches by heart. Meanwhile, the Judas in question is William “Bill” O’Neal (Lakeith Stanfield), who was arrested for car theft. Through Mitchell, the FBI made an offer. If Bill wants to be free, he has to infiltrate Black Panther Illinois.
Disguises are no stranger to Bill, who every time he carries out his actions, claims to be a member of the FBI using a fake badge. Why bother faking your identity? Isn’t it enough to have a firearm, robbery can be done? “Badge is scarier than gun”, he said. The sentence perfectly summarizes the issue of the film’s racism. Even today, a police badge is more likely to bring death to a black person than a gun. And everywhere, this class of “people in uniform” does have a great tendency to abuse their authority.
At first Bill didn’t mind (afterall, he was a bad guy who stole from his own people by dressing as “pig”). Until then a dilemma arises. Fred and the rest of the Black Panther accepted it. Even Bill was promoted to chairman of the security department. On the other hand, Mitchell treated him well, paid him quite a lot (he received a total of about $ 200 thousand), and invited Bill to dinner at his house.
Stainfeld makes us feel sympathetic to Bill. Yes, he was a “spy rat,” but Bill was also a victim, turned into a mere pawn. But why does the film take the traitor’s perspective to tell the Fred Hampton story? In the early version, Will Berson dubbed the script The Assassination of Chairman Fred Hampton by the Closet Queen Mulatto Edgar Hoover. Because like Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford (2007), this film shows how the traitor, throughout the infiltration process, recognizes his target.
Judas and the Black Messiah is like an outsider’s learning of Fred Hampton. Like many in the audience, Bill initially got to know Fred through his hateful white propaganda. Bill is an audience, slowly knowing, that the facts on the ground are inversely related to what is being taught. Instead of dividing Fred, Fred instead united, especially when he started the Rainbow Coalition, a multicultural movement with Crowns (a black organization other than the Black Panther), Young Lords (consisting of Puerto Ricans), and the Young Patriots, which despite having a Confederate flag, was actually a wing group. left of immigrant rights defenders.
Kaluuya appeared dignified, igniting the fire in Fred Hampton. Each of his speeches gave off a burning spirit of struggle, but not to forget, his eyes radiated sincerity. Sincerity that comes from a sense of trust in people power. Watching Kaluuya, you will be convinced of Fred Hampton’s ability to unite the public through his words. On several occasions, Shaka King as the director used low-angles to capture Kaluuya’s acting, reinforcing the mythical and powerful impression of his character.
With the help of jazz nuanced music by Mark Isham and Craig Harris, where the regularity of the rhythmic content can transform into wildness at times, King builds an intensity that is maintained neatly for approximately 126 minutes in duration. The decision to focus on the face of Fred’s lover, Deborah Johnson (Dominique Fishback), through a close-up shot, to portray the tragedy that we all know will happen, also proves the director’s sensitivity. Deborah looked stunned. But the tears didn’t flow a bit. Signs refusal to extinguish the flames of revolution. Movie Review
By admin / March 15, 2021
Although both depict disasters, unlike Geostorm (2017), this film directed by Ric Roman Waugh (Angel Has Fallen) does not require the actor to run through the storm and tsunami. Butler is just an ordinary middle-aged man trapped in the destruction of the world. Not a secret agent, not an ex-military. Even after killing one person accidentally, his soul was shaken. Greenland put Butler in the middle of a typical Hollywood spectacle, without the need to make it a one-man army. Top Movie Site
Butler plays John, a structural engineer, whose relationship with his wife, Allison (Morena Baccarin), breaks down after he has an affair. His son, Nathan (Roger Dale Floyd), has diabetes and must regularly receive insulin. Ahead of Nathan’s birthday celebration, the world is shocked by the sudden appearance of a comet named Clarke, which, although it is quite large, is believed not to hit Earth. Of course if NASA’s estimates were right, there wouldn’t be this film.
Clarke’s fragments hit the earth, destroying one city after another around the world. Not only that, within 48 hours, the largest flakes soon followed, which was allegedly going to destroy most of the population of living things. Like most disaster films, Greenland didn’t step on the gas right away. But rather than a bland prologue filled with makeshift character backgrounds and boring exposition (one of the sicknesses of disaster films), Waugh is good at building intensity, generating tension through “signals” of danger.
We are made to feel the anxiety of the character, who slowly realizes that Clarke is not a friendly natural phenomenon, one of which is through the news on television which over time also begins to shift, from an invitation to enjoy the beautiful sight of comet rain in the sky, to terrible reports. Waugh lived the wait anxiously, before it finally developed into mass hysteria. Meanwhile the pictures contain the hapless fighter planes and comets across the wide sky, showing how small our protagonists are. Emphasize that this is a story about ordinary people facing the Day of Judgment. Best Movie
Without having to rely on CGI (except for the moment of the shockwave attack, which was effective), the first act was so intense that the failure of the rest of the film to reach a similar level of intensity was forgiven. Not bad, but without a significant difference in quality, when compared to other mid-budget disaster movies. There is a scene racing on top of a car while avoiding a meteor shower, an airplane that was forced to land an emergency, and a line of other familiar sights.
Often writing thriller scripts in single locations such as Buried (2010) to ATM (2012), Chris Sparling seems to have a little trouble handling giant-scale stories. Various plot holes that deliberately appear to add to the problem, are common. How could Nathan’s diabetes be unknown? Why were people without an invitation finally allowed to enter the bunker?
But the Sparling script was able to provide Butler with the perfect vehicle for survival. Greenland is not about the toughness of a hero through the apocalypse, but the struggle to survive a family. Even the second act had separated John and Allison, giving Butler and Baccarin the opportunity to deliver an adequate dramatic performance. For Butler, this means he doesn’t have to take up arms, run around to avoid disaster, or show off Leonidas muscle to star in a blockbuster treat, without having to change his image too much. Movie Review
By admin / March 11, 2021
The film Unhinged tells the story of an unpleasant day from Rachel (Caren Pistorius) who is involved in a commotion with a mysterious man (Russell Crowe) on a highway. Feeling innocent, Rachel reluctantly apologizes to Tom. However, the man, who is under the influence of anxiety medications and is facing domestic problems, feels even more angry that Rachel did not apologize. He also terrorized Rachel and those closest to him.
Before the film starts, there is an opening that depicts the state of cities in America that are busy and busy in the morning. With the welcoming voices of the radio announcer greeting the workers, things seemed normal, like the morning of the Capital at rush hour. Then, the situation changes to the case of rough rides (driving indiscipline) to trigger road rage action (road rage). Top Movie Site
Cases of rough rides and road rage are shown clearly and become cases that often occur almost everywhere. An orderly traffic crowd encourages one’s emotions and aggression. Usually, rough rides and road rages are followed by swearing and swearing that can even lead to scuffles.
The case is raised in the film Unhinged with other psychological elements that trigger rough rides and road rage behavior. Rachel, with her habit of being late, even blames the situation and leads to her bad luck: being fired from her job, her son being punished for being late for school, and meeting a psychopathic man who kills those closest to her.
Then, do we then justify the behavior of this mysterious man, who only wants a sincere apology from Rachel? Not really! The road rage he experienced was triggered by household problems and the drugs he was taking. With unstable emotions, he took his anger out on Rachel by showing him what a “one bad day” looks like.
Rachel and Tom both had one bad day with their respective psychological problems. The difference is, Tom is under the influence of drugs, while Rachel is with a high ego.
Tom’s one bad day reminds us of the Joker’s dialogue in the animated film Batman: The Killing Joke (2016). “All it takes is one bad day to reduce the sanest man alive to lunacy. That’s how far the world is from where I am. Just one bad day ”. It only took one bad day to turn someone acutely insane. Best Movie
Exactly as the phrase “nudge, cut!” On the road, it is recommended not only to be careful with other vehicles, but also to be self-emotional. Like the tagline of this film “He can happen to anyone”, everything can happen to anyone, anywhere, anytime.
Unhinged is included in the feel good action film that can be watched while relaxing and without thinking. The thriller element that is shown is only a small part.
This film illustrates that the horror of the world is not only about natural disasters. Rough rides and road rage cases prove it! The reality of traffic jams and stressful streets in big cities, coupled with irresponsible and selfish people, makes us shake our heads how crazy the world is today.
The Rachel and Tom case is just an example. In this film there are also accident scenes that make us empathetic, as well as annoying because the accident is the driver’s fault, such as driving while chatting or scrolling through social media, or even while grooming.
This film also reminds the audience to be good everywhere, including on the road. We don’t know what problems other people are facing and can turn him into a monster. Rather than adding to your own problems, manage your emotions and empathy better. Amazingly the effect of the word “sorry” can also change a person’s life. Movie Review
By admin / March 8, 2021
After 33 years since the first film, Akeem and Lisa (Shari Headley) have three children. All were women, which meant that, according to Zamunda tradition, none of them had the right to the throne. However, their eldest daughter, Meeka (KiKi Layne), never gave up and continued to prepare herself as a candidate for the ruler of Zamunda. Until before his death, King Jaffe Joffer (James Earl Jones) delivers shocking news: Akeem has a son in Queens! Top Movie Site
His name is Lavelle (Jermaine Fowler), son of Mary (Leslie Jones). In order to keep the surprises, I’m not going to tell you how Akeem, who used to focus solely on Lisa, got in touch with Mary. But that moment gave the visual effects department a chance to show off, creating flashbacks with the powerful CGI that made Eddie Murphy and Arsenio Hall look three decades younger. A moment that also shows, like other long-term sequels / remakes, Coming 2 America is also full of nostalgia.
Nostalgia is either the appearance of old figures such as the “trio of haircuts” (still played by Murphy and Hall in extraordinary make-up) who are still good at churning their stomachs through their unfiltered jokes, familiar types of humor that haven’t lost their killing power either, or moments are referencial. A little adjustment here and there, let’s say McDowell’s restaurant which has now moved to Zamunda, and has a black version of Ronald McDonald as the mascot.
The manuscripts of his first two film writers, Barry W. Blaustein and David Sheffield, this time with a boost from Kenya Barris (Barbershop: The Next Cut, The Witches), ensure that his comedy continues to satisfy old fans. But what about other elements? This is where Coming 2 America‘s biggest problem lies. Movie Review
Rather than a sequel, Coming 2 America is more like a remake in disguise, where elements of nostalgia often fall into mere repetition. Lavelle was not only prepared as a prince, he was also a potential husband for the daughter of General Izzi (Wesley Snipes), the ruler of Nextdoria as a rival of Zamunda, as well as Imani’s sister (Vanessa Bell Calloway). Yes, Akeem’s ex-future wife whom he “cursed” so that he kept jumping on one leg while barking. Next, follow the flow points, which reflect Akeem’s past journey.
I am not in the anti-“repetition-under the guise-tribute” group. I am delighted to find The Force Awakens a carbon copy of A New Hope. Nostalgia is fun. In fact, this repetition can actually be used to reinforce the main idea of his story, namely that of Akeem, who, as he gets older, becomes more and more like the thing he used to hate: his father’s orthodoxy.
The first film successfully turned Akeem’s resistance to conservatives into a very sweet romantic comedy. There is a heart. There is a taste. This achievement failed to be repeated, as a result the writers seemed confused to focus. Is it about Akeem seeking back the “fire” in him? Is it about Lavelle pursuing freedom? Is it about the Zamunda women? The results overlap. Not only repetitions, Coming 2 America is a repetition that is presented while pressing the fast forward button, while the makers tick the checklist, each plot passing point by point the first film you want to repeat.
This should have been the vehicle for Eddie Murphy to revive his career, but even though he was able to provide warmth in a handful of dramatic moments, Akeem seemed to have been marginalized from his own franchise. Likewise the women. KiKi Layne’s toughness, Headley’s success (still as beautiful as 33 years ago) made Lisa a wise figure similar to the late Madge Sinclair as Queen Aoleon before, as well as the “wild” Leslie Jones, so in vain. Meanwhile, the love of Lavelle and Mirembe (Nomzamo Mbatha), the royal groomer, is far from the romanticism of Akeem-Lisa, due to hasty presentations and a lack of focus on their relationship. What else can we do? The story is too full. Best Movie
At least, if it’s limited to looking for entertainment or longing medicine, director Craig Brewer (Hustle & Flow, Dolemite Is My Name) is able to produce a sequel, which in the context of entertainment, still has the same energy and soul as its predecessor.
By admin / March 4, 2021
“Such a grand opening!”, Exclaimed Tang Ren (Wang Baoqiang), referring to the airport fight, which opened Detective Chinatown 3 with a fun riot set in the background of J Soul Brothers’ Welcome to Tokyo. But hearing it now, almost two weeks after the film premiered in China, the sentence also reminds us of the success of this film in breaking the Avengers: Endgame record, for “The biggest opening weekends in a single territory”. The distance is no joke. About $ 67 million. Such a grand opening indeed. Top Movie Site
After Bangkok and New York in the first two films, it is now Tokyo’s turn to be visited by Qin Feng (Liu Haoran) and Tang Ren (the plan for the fourth film will be held in London). They come at the invitation of Hiroshi Noda (Satoshi Tsumabuki), Qin Feng’s rival and partner. Certainly not an invitation to travel, but solving a murder case. Watanabe (Tomokazu Miura) has been accused of murdering fellow mafia boss Su Chaiwit (Hirayama Motokazu), when the two meet to negotiate cooperation as well as a truce.
When the witnesses entered the scene because they heard screams, apart from the victim’s corpse, only Watanabe was holding the murder weapon. There is only one way out and in, which is strictly guarded. This means that if Watanabe is not the real culprit, then there has been a murder in a closed room. Our three detectives also crossed various areas in Tokyo in search of clues. Obviously not easy. Often interfering with the investigation are Tanaka Noki (Tadanobu Asano) the famous police officer, as well as Jack Jaa (Tony Jaa), Su Chaiwit’s subordinate and fellow top detective on the Crimaster app, like Qin Feng and Noda.
As always, don’t expect any clever investigations in the Detective Chinatown series. The script treats the investigations of detectives as a tool to keep his adventures moving. No hints were distributed so that the audience could participate in racking their brains. All appear randomly and suddenly, which even makes the first installment like a “real detective film”. Just sit back, go with the flow, just give in to wherever this large-scale riot-filled adventure might take us. Best Movie
If you can do that, Detective Chinatown 3 will be fun entertainment. Director Chen Sicheng, who moved his film with high energy, was quite successful in taking advantage of Tony Jaa’s presence, both as an action actor, as he was able to go through some solid scuffles, or as a comedy actor, which was his first experience. When will you see Tony Jaa cosplaying as Maruko from Chibi Maruko-chan?
Chen still maintains a combination of slapstick and absurd situation humor as a weapon to churn the audience’s stomach. The highlight of the fun is certainly the “morgue” sequence, which is an extension of the “hide and seek” sequence from the first film. While Wang Baoqiang appeared not as annoying as before (for some viewers, maybe even that temperament is the most entertaining element of the Detective Chinatown series). Still often make stupid jokes, but in normal levels.
For 136 minutes, Chen’s ambition was true to make this work as big as possible. The scale of production is not far from the Hollywood blockbuster, and the appearance of characters from the series (you can watch it on iQiyi) is the realization of Chen’s dream of building a world like the MCU. Unfortunately, it was because of that ambition that Chen felt the need to increase the quantity of melodrama elements which made the third act drag on, thus losing intensity. Not to mention the cringey moment when the song Heal the World accompanies the fireworks festival at the end of the duration. Chen needed to improve on his dramatic methods. At least the cameo of a big star in the ending as “the real big bad guy”, aroused my interest in waiting for the continuation of the filmmaker’s ambition. Movie Review
By admin / March 1, 2021
I Care a Lot is actually a fun spectacle. Even though as a black satirical comedy that is thrown it is not as sharp as expected, as a thriller, the intensity is well preserved. Until the conclusions destroy the above achievements. The conclusion that makes J Blakeson’s latest work (The Disappearance of Alice Creed, The 5th Wave), as the director and writer of this script, feels unstable. It could be the result of demands to be politically right, or perhaps, Blakeson simply doesn’t know what to say.
Through this film, Rosamund Pike landed his third Golden Globe nomination. The first time was through Gone Girl (2014), which is undeniably her most iconic role. Even so, Amy Dunne was the reason Pike was chosen to play Marla Grayson here. Unlike Amy, Marla is not a psychopath. But clearly, in carrying out his criminal acts, Marla did not have the slightest doubt or remorse. Top Movie Site
What kind of criminal is Marla? Together with his lover, Fran (Eiza González), he commits a fraud, under the guise of being a guardian for the elderly, whom the court deems to be unable to live alone. Through a simple yet informative sequence, also packaged in a stylish manner by Blakeson, we learn about Marla’s modus operandi. First, the doctor recommends that a client (read: prey), even if necessary, falsifies a medical report to make the judge believe, if the elderly person needs the help of a guardian. Then, thanks to the help of the ALF (Assisted Living Facility, or similar to a nursing home in Indonesia), the elderly can be forced to stay there as long as possible, without access to communication with the outside world, while Marla is in charge of managing their assets. “Managing” here means, of course, “spending for personal gain.”
Doesn’t anyone have any suspicions? Of course there is, but Marla’s trick is very convincing. Just as convincing as Pike’s appearance, which makes his character (who at first glance looks harmless due to his thin stature) is sturdier than a boulder. He was always calm, thought tactically, never collapsed even when his life was in danger. Her outfits that often have bright colors (salute for the costume department!) Don’t mean she’s a cheerful woman. On the contrary, it makes Marla appear to be enjoying her crimes, as if everything is a game. Contrary to Pike, Eiza González as Fran is a passionate young girl. Their chemistry is one of the dynamics for the film.
Once upon a time, Marla’s latest victim is a retiree named Jennifer Peterson (Dianne Wiest). He was wealthy, and most importantly, without a family. The action was carried out. The court ruled that Jennifer should receive treatment for dementia. Everything goes smoothly for our protagonist, until a twist comes, along with the entry of Peter Dinklage with his intimidating nature, who plays a mysterious mafia boss. Best Movie
On the one hand, the existence of Dinklage adds to the entertainment value of I Care a Lot, making it an intense thriller. But on the other hand, the story is starting to lose its grip. The narrative in the opening scene implies that this film will be a satire about social class in the United States. And so, until the narrative is covered by a scenario about the cat-and-mouse between “the bad” and “the worse”. The script is not as clever as the writer’s expectations. Sufficient as cheap thrills, but definitely not quite what it is called “smart”, especially when Blakeson is quite fond of using coincidences to keep the plot going.
But once again, I Care a Lot was able to appear entertaining. Then we come to the ending. Ending that was present suddenly. A strong candidate for the worst ending in 2021, one that will be hard to beat. Ending that made me wonder, “What the hell does Blakeson want ?!”. Blakeson makes his film like a multiple personality. It is as if he is too afraid, that in a politically right era like now, his film will receive blasphemy if it sided with criminals. Especially when the criminal worships money.
Yet there are opportunities to convey the complexities that challenge black-and-white perspectives in life. And Blakeson has justified the choice of the protagonist. Not just one, but two. First related to finance, second, regarding gender. But instead of processing it all, Blakeson actually betrayed what had been built throughout the duration, for the sake of an ending that destroyed everything. Movie Review
By admin / February 25, 2021
Similar to the first film, Stand by Me Doraemon 2 still targets the old Doraemon audience which has now grown. Nostalgia and personal closeness to the story are the main targets. When the boys may be more entertained by the fantastic adventures of his two-dimensional film which is regularly released every year, through the Stand by Me series, the memory of adult audiences will be thrown into the past, while realizing how much closer Nobita’s story seems to be than it seems. Top Movie Site
The script is still being written by Takashi Yamazaki (who also returns to the director’s chair with Ryuichi Yagi), the outline of the film’s story is built from two comic chapters, namely Memories of Grandma and The Day of My Birth, each of which has been adapted into short films, released in 2000 and 2002.
Once upon a time, after the previous film succeeded in improving his fate (read: marrying Shizuka) in the future, Nobita invited Doraemon to return to the past to meet his grandmother, who died when he was in kindergarten. Nobita, who suspects that he is an adopted child, feels that his grandmother is the only person who really loves him. But adventures don’t just happen in the past. Simultaneously, the adult Nobita suddenly disappeared right on the day of the wedding, forcing Nobita from the present to fight to save his marriage, while fulfilling a promise to his grandmother.
Longing for childhood to a loved one who has passed away, doubting the love of their parents, and feeling their own insecurities, are all dynamics that are certainly understood by adult audiences. The strongest point of the film is none other than when he realizes that, so mature, the lazy crybaby Nobita who is able to pass all obstacles thanks to Doraemon’s magic tools, turns out to be having problems like the rest of us. Therein lies a wedge between “nostalgia” and “personal closeness”, which makes the story even more emotional: “Oh, apparently the character I have known since childhood has the same fate as me”. Best Movie
All elements of Stand by Me Doraemon 2 are made in the direction of the two things above. Including a series of sentences written so meaningfully without needing to sound poetic, which since the early minutes had forced me to wipe my tears. The way Yagi and Yamazaki build the moment is extraordinary. There is intimacy, so watching it, it feels like you are at home. The nuance cannot be separated from the visual motifs used by the two directors.
In the cartoon, what scenery is synonymous with “warmth” in Doraemon? Dusk. Yes, the evening sky is orange, which is often used to close episodes. Here, the evening is beautifully presented thanks to the high quality of 3D visuals, which is often used as a stage for touching events. Because dusk is the end of the day. As if to indicate, that after one tiring day, we can finally return home.
It’s a wrong place to expect Stand by Me Doraemon 2 to present sensible, intelligent time travel that appropriately considers the trivia of paradoxes. But how the question of mysterious events is created, which is then answered after time travel, is enough to provide pleasant entertainment. At least it is not only the emotion that this film offers, as an adventure looking at the past for the future, which is bound by a common thread called “affection”. Movie Review