Halloween Kills – Review

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Halloween Kills for Halloween (2018), just like Halloween II (1981) for Halloween (1978) by John Carpenter. A unique slasher sequel, as it takes place right after the events of the previous film. At least, that’s the hope of David Gordon Green, who is back in the director’s chair, also writing the script with Danny McBride and Scott Teems. Whether or not this hope is realized is another story. Top Movie Site

After defeating Michael Myers, Laurie (Jamie Lee Curtis) is taken to the hospital with her daughter, Karen (Judy Greer), and her granddaughter, Allyson (Andi Matichak). Of course Michael wasn’t dead. Thanks to the “help” of the firefighters he later slaughters, Michael continues the terror in the corners of Haddonfield.

Similar to Halloween II, the story revolves around mass hysteria, when local residents decide to hunt down Michael. Tommy Doyle (Anthony Michael Hall), a boy who was guarded by Laurie in the events of 1978, becomes the leader of the hunt.

Fun fact: In the first year of his big screen career, Paul Rudd played Tommy Doyle in Halloween: The Curse of Michael Myers (1995), the sixth film (and the worst before Halloween: Resurrection and two of Rob Zombie’s misguided products brought the franchise to a close. nadir) whose existence is no longer considered.

In addition to Tommy, four other characters from the 1978 film, Lonnie Elam (Robert Longstreet), Leigh Brackett (Charles Cyphers), Lindsey Wallace (Kyle Richards), and Marion Chambers (Nancy Stephens also appeared on Halloween H20: 20 Years Later), also appeared in Halloween. return. Plus a Tom Jones, Jr. cameo. the art director who brought Dr. Samuel Loomis through convincing makeup that is very similar to the late Donald Pleasence, also the use of Halloween II footage, this film is full of nostalgia for fans. Best Movie

Unfortunately, the goal of “replicating” Halloween II did not go smoothly. The problem is not in the messy writing that jumps around without a solid plot structure, bad acting, or cheesy line of sentences that only Jamie Lee Curtis can handle (while the actress herself is not involved in the battle, being “saved” for the final at Halloween Ends last year). front). Keep in mind, this is a slasher, where the above is secondary.

The problem lies in the differences in the way Green-McBride-Teems handles mass hysteria, with the Halloween II script approach. John Carpenter and Debra Hill were so effective in portraying the panic of the residents, who scattered all over Haddonfield in search of the whereabouts of the killer, while Michael himself was wandering around the hospital where Laurie was being treated. As a result, the audience can feel the tension of the entire city, when responding to the massacre that has just occurred.

Here it is the other way around. Panic centered on the hospital, while Michael hunted freely outside, and only a handful of figures patrolled. The tension is gone. Halloween Kills is too eager to innovate, taking a different step to convey how Michael’s terror turns people into demons too. It seems inconsistent, because as I wrote before, this film also tries to bring nostalgia.

But when it comes to killing-killing, Halloween Kills is still satisfying. Even though he often struggles to adjust the tone (humor that appears at the wrong time, it’s unclear whether a scene is meant to be funny or pure stupidity that is unintentional), Green has succeeded in presenting a brutal massacre parade that shows Michael’s “creativity”, which is not just stabbed. Quite over-the-top, and reminiscent of Halloween 4: The Return of Michael Myers (1988). Accompanied by the iconic theme music by John Carpenter, even though it saves many holes, it only acts as a bridge before the final round, Halloween Kills is still a slasher that goes according to its essence. Movie Review

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