Mortal Kombat – Review

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If in the midst of the lack of description of this film you know what Earthrealm, Netherrealm, and Outworld are, chances are that the reboot for this Mortal Kombat big screen adaptation will be satisfying. This means that you are a fan, which, hearing terms such as test your might to (of course) fatality alone provides its own pleasure. Whereas the general audience may complain about it as forced fan service. Top Movie Site

Not without disappointment. In contrast to its image in the eyes of the lay public, Mortal Kombat is not limited to a bloody tournament where fighters mutilate their opponents’ bodies (or turn them into babies every now and then). Stored mythology complex is amazingly long involving various realms, gods, even time travel. Simon McQuoid’s directorial debut missed it. Not even the reasons for holding the Mortal Kombat tournament will not be found.

Taking the foundation of the plot from the game plus some elements belonging to the animated Scorpion’s Revenge (the best Mortal Kombat film so far), Mortal Kombat opens when Bi-Han aka Sub-Zero (Joe Taslim) from the Lin Kuei clan massacred Hanzo Hasashi (Hiroyuki Sanada) of the Shirai clan. Ryu and his family. As we know, Hanzo will later return as Scorpion to seek revenge.

But before that, we were invited to get acquainted with Earthrealm heroes from the present. One of them is Cole Young (Lewis Tan), a former MMA fighter who has lost his prime. Choosing Cole as the protagonist is actually questionable. First he is a new character, and second, even after being able to awaken his special abilities, Cole is still a character without charm, with boring costumes and strength, especially when juxtaposed with the iconic Mortal Kombat line-up.

Thanks to information from two former special military forces, Jax (Mehcad Brooks) and Sonya Blade (Jessica McNamee), Cole finds out that the dragon tattoo on his chest is not an ordinary birthmark, but a sign that he is one of the fighters chosen to represent Earthrealm in the Mortal Kombat tournament. . Apart from the three, there are Liu Kang (Ludi Lin) and Kung Lao (Max Huang), who under the guidance of Raiden (Tadanobu Asano) the god of thunder, must fight against the Outworld troops led by Shang Tsung (Chin Han). Movie Review

Next, the script by Dave Callaham (The Expendables, Zombieland: Double Tap, Wonder Woman 1984) and Greg Russo features a half-baked plot with skipping movements, made worse by rough editing. Viewers who don’t know anything about the game will often be confused. Why did incident A happen? How can character B appear again?

There is an impression that in the drafting phase there is confusion as to whether you want to create a story full of mythology or completely abandon it, and focus only on scuffles. On the one hand, the story often takes too long to divert the film from the fight, but on the other hand, as already mentioned, the riches of the Mortal Kombat world fail to be explored.

The biggest difference between this reboot and Paul W. S. Anderson’s version is the tone. Cheesy shades were removed to facilitate brutality. The question is, is there a need for a gritty approach, when the game itself is so over-the-top that it’s often ridiculous? In the film where the character issues “flawless victory” after splitting the enemy’s body, it feels like the seriousness is not quite right to apply. Tone inconsistency occurs. Liu Kang, through all the monk-style manners, looks ridiculous in the serious narrative of the film. It could also be that, if it is packaged cheesy, there is a place for the legendary theme song Techno Syndrome to appear instead of the adapted version (even though it actually evokes enough nostalgia and enthusiasm).

Apart from Liu Kang and Kung Lao who looked like kids yesterday afternoon rather than earthly hope fighters (especially Kung Lao, as the descendant of “The Great Kung Lao”, Earthrealm’s first Mortal Kombat champion), the presentation of other characters tended to be satisfying, both in terms of design and characterization. Even the film had time to insert a clever nod about Noob Saibot. Regarding characterization, Kano (Josh Lawson) appears most attractive as a sadistic mercenary who is reluctant to stop joking.

Mortal Kombat’s best point is of course the action, where McQuoid knows very well that a flood of blood is not enough. The finishing move is a must, and it presents a variety of creative fatality that will be familiar to gamers (especially for Kung Lao, Scorpion, and Sonya). McQuoid uses fast cutting, which is combined with adequate sound system and choreography, so that instead of being chaotic, the majority of the fight feels hard-hitting.

If Kano steals the focus when it comes to characterizations, when it comes to scuffles, the stars are Sub-Zero and Scorpion. Supported by Joe Taslim’s martial arts skills, the audience was treated to a variety of unique movements typical of the ice ninja. Scorpion? There’s no need to bother discussing the choreographical stuff. The fact that he uttered the catchphrase “Get over here!” accompanied by the theme song, it has become a highlight. Best Movie

Once the film ends, there is the impression that this is actually a prologue for a larger follow-up story, with more threatening conflicts, as well as the appearance of more fan-favorite characters (one of which is teased at the end of the film). Satisfying, provoked interest in the sequel, but left hopes of improvement on many sides, especially world development.

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